a handweaver's journey
This is the third and final gift promise from last Christmas. A Cornflower and Willow 8/2 cotton warp will become a throw in wavy (undulating) twill for my daughter-in-law Lindsay. I am hopeful that I will be able to finish it before Christmas. As promised. (See Weaving a Gift.)
May you make and keep good promises.
Happy weaving,
Karen
A pleasant surprise arrived in the mail this week—the November/December 2018 issue of Handwoven magazine. Guess what?! My Stained Glass Scarf made it to the front cover!
May your day be filled with pleasant surprises.
Happy Weaving,
Karen
I am winding a lovely all-blue warp on my warping reel. When I pause, as I do regularly to count the ends, it is easy to put the winding on hold. I tuck the pair of warp ends under a section of wound warp at one of the vertical posts of the reel. That holds it, and keeps threads under tension until I’m ready to continue where I left off.
I stop after winding each section. I do the counting at the cross, always counting twice. A long twisted cord (one of my choke ties) marks my place, section by section. The count needs to be an exact match, of course, with the number of ends in the pattern draft.
The Christmas season reminds us that Jesus brought grace to earth. From manger to cross. The grace of the Lord Jesus is perfectly complete. Like a planned warp, there is nothing more to add. All the threads have been counted. And they match the divine plan. Any threads of my own effort would be threads that don’t belong. The grace of forgiveness comes purely as a gift.
May your counted ends match the pattern.
Christmas blessings,
Karen
I’ve been told that you cannot do a skeleton tie-up on a countermarch loom. That would require pressing two treadles at the same time, which is not feasible on a countermarch. Guess what? I have a skeleton tie-up, and I’m pressing two treadles at a time for the pattern blocks in this kuvikas structure. On my countermarch!
It works because the tie-up is carefully planned to avoid conflicting treadle movements. I couldn’t be more thrilled with the square-within-a-square results. Isn’t it fascinating that a design such as this can be fashioned by hand, using a simple wooden loom and a bunch of strings, with a few simple tools? And a non-standard tie-up?
Have you seen the sky on a moonless night? Who made that starlit fabric? Who wove the pattern of the heavens? Who put the sun in place, and set the earth on its axis? How grand and glorious are these constant features of our existence! Our human hands can create no such thing. The heavens reveal the glorious nature of God. They shout the unmistakable truth that God is our Creator. Surely, the fabric we make with our hands serves to confirm that we belong in the hands of our Maker.
May the work of your hands be a reflection of you.
In awe,
Karen
The brilliant blue linen, with its natural luster, is a lively option for the plattväv pattern floats. And blue linen weft for the hem makes a fitting border. These towels with blue accents have a different “character” than the towels with the black linen accents (as seen in Striped Warp Freedom). The accent color makes a big difference.
I planned stripes in the warp to simplify the weaving. The warp stripes enable me to weave patterned towels with a single weft color. Plattväv weft floats keep it interesting. As much as I like blue linen, I am uncertain about it here. I’m waiting to see the towels off the loom, washed and dried. In the meantime, the warp stripes make my heart sing. And I’m thankful to have options for the pattern weft.
We always have a reason to sing. ThanksGiving may be a holiday, but it’s also a way of life. It’s seeing the good, the benefits, the blessings, even in the midst of uncertainty. It’s knowing that carefully planned warp stripes are still there. My hope is in God. My soul is confident, firm, and steadfast in him. And thankful to the core.
May your heart find a song to sing.
With you,
Karen