Stained Glass Scarf Surprise!

A pleasant surprise arrived in the mail this week—the November/December 2018 issue of Handwoven magazine. Guess what?! My Stained Glass Scarf made it to the front cover!

Stained Glass scarf warp - brilliant blue!
Four shades of blue are carefully arranged to make a brilliant blue 8/2 cotton warp.
Stained Glass scarf - on the cover of Handwoven Nov/Dec 2018.
Two scarves. I wove one to keep, and one to send to the Handwoven editorial team.
Stained Glass scarf/wrap in Handwoven Nov/Dec 2018
Swedish lace adapted from a draft by Else Regensteiner in The Art of Weaving. Her draft was for a tablecloth. I made it into a scarf/wrap instead.
Stained Glass scarf from Handwoven Nov/Dec 2018
Twisting the fringe. This cotton scarf/wrap calls for fringe that is a little bit chunky. I feel like I’m dressed and ready for fun when I wear it!
Handwoven Nov/Dec 2018 - Stained Glass scarf on the cover!
Credit: Cover Photograph by George Boe from Handwoven November/December 2018 magazine. Copyright © F+W Media 2018. Photograph of magazine by Eddie Fernandez.

May your day be filled with pleasant surprises.

Happy Weaving,
Karen

Quiet Friday: Handwoven Handbags

Is there such a thing as too many handbags, pocketbooks, tote bags, and purses? Of course not. Naturally, my favorite handbags are made from handwoven fabric. Linings made from remnants, handwoven bands used for shoulder straps, hidden zippers, and, of course pockets–these are the details that other people will seldom notice. Yet these are the details that make me smile every time I use one of these bags.

Handwoven handbags - with 1 minute video.
Nineteen handwoven handbags. Various sizes, fibers, styles, and purposes. And colors. Lots of colors!

…You know that box of handwoven bits and pieces? Those weavings from the end of the warp, and the “scraps” from various projects? Hmm… looks like I might need to make another handbag or two.

Here is my collection of handwoven handbags, divided into a few categories. Plus, a short video just for the fun of it!

Rigid Heddle Loom

Handbags from fabric woven on a rigid heddle loom.
Wool, novelty chenille yarn, crochet cotton, and narrow fabric strips are used for weft in these bags. Buttons are from my grandma’s button jar. The small rag-weave pocketbook has a permanent home in my daily handbag. The fabric for these bags was woven on my Beka 32″ rigid heddle loom.
Handwoven fabric for handbags from the rigid heddle loom.
Linings are from remnants of other sewing projects. Bag handles were woven on my inkle loom.

Travel Finds

Handwoven handbags from international travels.
Trips to The Philippines yielded interesting woven goods by artisans there. The green stripe tote bag is woven from native plant material, and the teal and burgundy purse is a beautiful example of ikat weaving. The colorful weft-faced woven shoulder bag and the purple bag with lovely weft-float patterning came from travel to Chile.

Project Carriers

Handwoven project bags.
Large tote bag, woven with 1/4″ fabric strips for weft, carries my “show and tell” when I go to my weaving study group. It’s known as the “Mary Poppins Bag.” Rag-rug bag in the center has straps, woven on the band loom, that were woven into the bag. This bag carries my portable tapestry weaving. The rag rug bag on the right carries my one-and-only crochet project.

Special Use

Handwoven handbags.
Linen bag has beads woven into the fabric. It is lined with satin. Rag-weave purse is simply a flat piece folded in half, with lining and pockets added to the inside. The blue bag is wool, woven in a weft-cord technique. The fabric was partially fulled to produce the ribbed texture.
Handwoven lining in a handwoven purse.
Lining for this bag is made from extra fabric after weaving cotton/linen fabric for cushions, and the pocket is a remnant from a two-block twill tencel scarf.

Daily Use Favorites

Favorite handwoven handbags! Karen Isenhower
Representing some of my “firsts.” The brown and blue small shoulder bag is from one of my first cottolin towel projects. This is what I did when the last piece was too short to use for a towel. The green and turquoise clutch has remnants of my first ever handwoven towel, my first rosepath rag rug, and my first big rep weave project! The blue shoulder bag is the bag I use every day. It’s a remnant from the baby wrap I wove for my daughter’s first baby. It’s lined with a remnant from an Easter dress I made for her when she was a little girl.

May you carry your handiwork with you.

Happy weaving,
Karen

Weaving Rugs Under Mugs

I don’t mind slow weaving. The progress that is measured in hours, not minutes, is satisfying. I don’t mind fast weaving, either. It’s a chance to be productive. These mug rugs fall in the fast-weaving category. I can whip up a few of these in an afternoon.

Rep weave mug rugs. Cottolin and stringyarn.
Plain weave hems fill the space between rep weave mug rugs.

I hope to get 20 to 25 of these little mug rugs from this six-yard warp. I have to admit, it’s fun to weave something easy once in a while. Now, I can measure progress in minutes, instead of hours. We determine the value of things according to time and effort, don’t we? How long did it take, and how much effort? Some woven items are destined for elegance, and others are, simply, rugs under mugs.

Rep weave mug rugs on the loom.
Mug rugs begin to circle the cloth beam. Turquoise Cottolin weft thread alternates with black midi stringyarn. Block changes are made by weaving two thick picks in a row.

Grace doesn’t measure value that way. The Lord’s generous grace demonstrates true equality and fairness. His grace places equal value on people, not taking into account how “good” they are, or how much effort they extend to do “good” things. Grace is distributed equally. The Lord offers it to all, not because of who we are or what we have done, but because of who he is, and what he has done. That’s good news. The mug rugs may end up on an elegant table, after all.

May you receive and extend grace.

Happy weaving,
Karen

PS Plattväv Towel Kit update: Still in progress! You will be the first to know when the kits are ready.

One Mini Rag Rug

I am calling this miniature rag rug experiment a success! Oh what fun to play with colorful fabric to make rosepath designs in rag rugs. This sample size is great for trying out various designs and color combinations. Pure delight for a rag rug weaver like me!

Mini rag rug on the loom with rosepath design.
Mini rag rug on the loom with rosepath design.

I am cutting this first “rug” off. After finishing the ends and hemming the little rug, I will see if adjustments are needed before weaving the rest of the warp. It’s the details I’m interested in–sett, weft density, finished dimensions, selvedges, design, balance of color, size of hem. All of these assessments affect my plans for the remaining warp. I am excited about weaving more of these mini rugs! I smile to think of it.

Small rosepath rag rug sample.
Warp is tied on and ready for weaving the next small rag rug.
Mini rosepath rag rug with favorite coffee mug. Karen Isenhower
Favorite artisan coffee mug is right at home on the cute little rug. Finished rag rug measures 6 x 10 1/2″ / 15 x 26.5cm.

The Lord is intricately involved in the lives of those who belong to Him. He delights in details that require His guidance. It is as if the Lord is holding my hand, especially when I need guidance to navigate life’s challenges. The Lord delights in helping us. After all, what He is making is much more exciting than anything found on our looms.

May you find delightful details in the work of your hands.

Happy weaving,
Karen

Ability Is Not Enough

I love a challenging project! It is marvelous to have something on the loom that takes effort, concentration, and problem-solving skills (as long as there aren’t too many problems to solve). This inlay rag rug project includes all of the above, and it’s on the big loom–my favorite. This is handweaving at its best!

Rya rag rug on the loom. Karen Isenhower
Rya knots slow the weaving process. Fabric strips are cut to a specific length and the cut pieces are hand-tied around pairs of warp ends.

I am constantly evaluating the pattern, and making needed adjustments with color in the background and with the rya, and spacing the rya knots. Is this working? Or not? Take out a few rows, try putting something different in, step back for a better overall view. Moving and thinking, and beating it in hard, like it should be for a rug. The momentum of the hanging beater makes the hard work easy. And fun.

Rug rug with rya knots on the loom.
Weft is firmly beaten in. The momentum of the hanging beater provides the strength I need to be able to tightly pack in the weft.

Ability by itself is not enough. Wisdom works with ability to produce craftsmanship of highest quality. Our Creator gives us insight that enhances our natural talents and learned skills. When wisdom partners with ability, creativity flourishes. And what a joy it is to be in the middle of that process.

May you excel in joyful creativity.

Very happy weaving,
Karen