Crabba or Not

Sometimes I really don’t know what I am doing! It’s uncomfortable. I make a guess and hope for the best. I almost skipped this section of the tapestry/inlay sampler because I don’t understand the instructions for crabba in The Big Book of Weaving. I’ve heard of crabba, and have seen pictures, but I have no experience with it.

Tapestry / inlay sampler. All linen.
First two attempts at weaving the diamond-shapes of crabba. 1) Too faint. 2) Too flat.

Consequently, I am attempting to weave something that resembles the crabba motif, with  “rhomboid pattern shapes and stairstep contours.” My first little diamond all but disappeared. Pattern weft needs to be thicker. My second attempt flattened into a flying saucer. Aha! I need at least two pattern picks of each row. Finally, I wove three more diamond motifs. Crabba, or not, they are now a part of this inlay sampler.

Color gradation in linen background, with inlay in diamond shapes.
Color gradation continues in the background under the inlay diamond shapes.
Tapestry / inlay sampler. All linen. Morning light!
Visiting the loom in morning light brings a reminder that much of weaving is learning by doing. And much of life is that way, too.

We can’t know everything. But we can keep learning, even when we don’t understand the instructions. Instead of quitting, step up and make an attempt. Raise your hopes. Stir up your faith to hope for the impossible. Your brave steps today set you up for greater progress next time you face a hurdle. Place your faith in the Lord, the instruction-giver. Sometimes He lets you learn by doing.

May you hope for the best.

~~Houston update: After diverting to Texas hill country because of the Hurricane Harvey flooding last week, Steve and I finally returned home to Houston this weekend. We are very thankful to come home to a dry house, untouched by the flooding that has devastated so many in our city. Relief efforts will continue in Houston for some time. Thank you for your prayers.~~

Hopefully,
Karen

Wild Linen Rya

Rya knots and loops of threads look chaotic at first. These linen rya knots will never be tame, but that’s to be expected. Linen butterflies have created a swath of wild rya “flowers” planted in a smooth linen “lawn.”

Making rya knots with a bundle of linen threads.
Continuous weft bundle forms loops between rya knots.
Linen rya knots.
Loops are clipped. Green butterfly is for the background plain weave weft.

Each section of rya starts with a butterfly made of several strands of linen in assorted weights and colors. I tie each rya knot on a pair of warp ends, leaving a loop between knots. There are two to three passes of plain weave between each row of knots. When I finish a butterfly, I go back and clip all the loops. After the loops are cut, I trim the tops of the threads to even out the rya “flower garden.”

Linen rya knots on a linen weft-faced background.
Tops of the rya threads are trimmed. I intentionally leave a few shorter and longer threads, for interest.
Linen rya knots on a weft-faced linen background. Tapestry/inlay sampler.
Linen rya knots on a weft-faced linen background. Wild linen “flowers” growing out of a smooth linen “lawn.”

When things around us look a mess and don’t make sense, full of knots and loops, there is one thing we must do. Keep holding on to faith. Fight to keep your faith strong. Faith in Christ Jesus will carry you through uncertainty and will reveal the first ray of hope. The loops will be clipped, the threads will be trimmed. A garden of color will emerge. Faith waits for that.

May your faith be strong.

All the best,
Karen

Pattern in the Kuvikas

Each time I remove the temple I step back to review the progress. What does it look like now? It still looks like stripes. Four picks complete one row. The stripes lengthen, pick by pick. I hadn’t originally planned stripes, but seeing the results makes me hopeful.

Kuvikas stripes.
Lengthwise stripes on a solid-color warp are possible with a block weave, such as this kuvikas (summer and winter).

Every fabric has a structure–the particular way that warp and weft threads crisscross each other. This eight-shaft kuvikas structure sets the stage for weaving block patterns, like the square-within-a-square pattern or these stripes. It’s how the loom is set up. This loom is set up to weave kuvikas.

Love my double-bobbin shuttle!
Tencel pattern weft is in the double-bobbin shuttle. The regular boat shuttle carries 8/2 cotton for the tabby weft.

Truth is a constant. It doesn’t change with the wind. It isn’t subject to our whims. It’s how things are. Truth is the structure of creation’s fabric through good times and bad. Imagine the despair of Jesus’ closest followers as they watch him, their friend and Teacher, die in agony on a cross. Where is truth in this despair?

Kuvikas - Weaving lengthwise stripes on a solid-color warp.
Each complete row of pattern is made with four picks–tabby, pattern, tabby, pattern.

And then the unimaginable happens. Jesus comes back to them alive! This is the truth of God’s redemptive love–He died for us. Truth awakens hope. Speak truth to your soul. Wait in hope, for glorious fabric is being woven on His loom.

May you never lose hope.

With joy,
Karen

Not Just Any Old Weft

The weft makes or breaks a weaving project. 16/1 linen weft requires careful weaving, but the quality of Swedish Bockens linen won’t disappoint. If you use superior quality warp thread, like this Swedish Bockens Nialin (cottolin), it makes perfect sense to choose a weft that equals that degree of excellence.

Platväv table runner. Linen weft.
Plattväv table runner. Black 16/1 linen is doubled for the pattern weft in this plattväv design. The background tabby weft is golden bleached 16/1 linen.

When I weave useful items on my loom, I want them to stand the test of time. I want these plattväv towels and table runner to outlive me. So, no skimping on quality. Time and patience are woven into the cloth, with artisan details and carefully applied skills. Perfection? No, not this side of heaven. But making the most of what I’ve been given is one way I show gratitude to my Maker.

Plattväv table runner. Linen weft.
End of towel kit sample warp has enough room to weave a companion short table runner with plattväv squares. All weft tails will be trimmed after the fabric has been wet finished.
End of warp closes in.
Weaving as far as feasible. End of warp closes in.

We have much to be grateful for. The Lord’s enduring love is of measureless worth and quality. It’s the basis for our unwavering hope, which sustains us through every adversity. This isn’t a knowledge of the love of God. This is the actual love of God, poured into willing hearts. Love changes everything. This love is the weft that makes perfect sense for the completion of something as valued as you or me. What if every fiber of our being reflected the love of God? How beautiful!

May your finest qualities be seen and cherished.

Love,
Karen

PS Plattväv towel kit is in development. The kit includes a pre-wound warp and sufficient weft to weave four hand towels, and one companion short table runner/table square. PLUS, special access to one or two short instructional videos.

Linen Coming Next

Linen warp and linen weft is a recipe for elegance. The warp chain is a pleasant sight. It’s a signal that something is going to happen, that action is in the air, that a loom is about to be dressed!

Linen warp chain.
176 ends of 16/2 Golden Bleached linen.

When I see a linen warp chain, I anticipate an exciting project. It’s a picture of work to be done–beaming, threading, sleyingtying on, and tying up. And it’s a picture of fabric to be woven. Linen brings its own challenges, I know. Careful technique and mindful practices are a must. But I’m eager get started!

Preparing to beam a linen warp.
Linen warp is placed with the lease cross just on the other side of the beater.

Advent. The word means “coming.” It’s the season we are in right now, leading up to Christmas. It signifies the world waiting for the coming of Christ. As a warp chain is a picture of anticipation and hope, so is Advent. And the coming of Jesus answers that hope. The story of Christmas is the story of God with us. Jesus, God with us still. A line from “O Little Town of Bethlehem,” an old carol written by Phillips Brooks, says it well, “O come to us, abide with us, our Lord Emmanuel!”

May your anticipation and hope be satisfied.

Blessed Christmas,
Karen