sample – Page 4 – Warped for Good

Tried and True: Five Reasons Sampling Makes Sense

August 13, 2019August 5, 2019 Karen

Why sample? It means using more warp and weft. And it means waiting longer to start to the “real” project. What do I gain from it, anyway? Is it a waste of resources and time?

I can’t imagine putting on a warp that didn’t have room up front for sampling. There’s more than one reason to put on sufficient warp to weave a sample. It makes perfect sense, especially if there is anything new or unfamiliar about your planned project.

Five Reasons to Add Extra Warp for Sampling

Drawloom — Sampling to test patterns, weft colors, and beat consistency, before starting on fabric for a garment.

1 Space to play. I want plenty of room to play, and to practice techniques that are new to me.
2 Room to try out designs. By weaving a portion of my designs, I am able to determine what works, and what adjustments need to be made.
3 Warp for testing weft colors. Only when woven can I see the full effect of each potential weft color.
4 Time to gain a consistent beat. When I start the main project, I want to have woven enough to be able to “feel” how firmly or softly I need to move the beater.
5 The best reason of all! It’s always good to have enough warp on the loom that you can invite friends and family to enjoy some weaving time. …Before your main project is in progress.

Drawloom, making garment fabric. — Garment fabric. This is to be used for two side panels of a vest I plan to make for myself.

May you give yourself room to play.

Yours truly,
Karen

Pictorial Tapestry Weaving

June 4, 2019June 3, 2019 Karen

Inspired by some of Joanne Hall’s exquisite large tapestries, I have been taking steps to learn her techniques. This fascinating style that is unique to Joanne enables her to weave large tapestries at a comfortable pace. My Lizard tapestry last year was a step in this direction. (See Quiet Friday: Lizard Tapestry.) One thing that the lizard taught me is how much more I need to learn. So, you can imagine my delight in having the opportunity to take a Pictorial Tapestry Weaving workshop taught by Joanne Hall last week! (Contemporary Handweavers of Texas Conference in Fort Worth was the setting.)

Texas Wildflowers, tapestry by Joanne Hall. Photo credit: Steve Isenhower 2013

Detail of Texas Wildflowers, tapestry by Joanne Hall. — Detail of Texas Wildflowers. Threaded in rosepath, with a linen warp. Woven with butterfly bundles of wool yarn. Photo credit: Steve Isenhower 2013

Things to remember: Don’t beat hard. Bubble the weft more. Color theory is invaluable for adding depth and intensity. Simplify the cartoon. And countless more bits of insight and instruction! I am invigorated in my pursuit to develop these tapestry skills. Expect to see a tapestry on my 120cm Glimåkra Standard in coming days.

Workshop looms. — My hand-built countermarch loom is perfect for a tapestry workshop. Betsy brought her Glimåkra Julia loom.

Tapestry sampler in Joanne Hall's workshop. — Workshop sampler gives students various tapestry techniques to practice. We learned techniques of other tapestry weavers, such as Hans Krondahl and Helena Hernmarck, as well as Joanne’s unique approach.

Tapestry workshop with Joanne Hall. — Fellow student Cindy created this pear, taking advantage of the rosepath threading to add pattern to the image.

Joanne Hall's tapestry workshop. — Joanne, center, explains the process of creating a cartoon. She spreads out photos of flowers as a starting point for students’ cartoons.

Joanne Hall's tapestry sample. — Joanne’s tapestry sample demonstrates the outcome of her process. A portion of the photo was enlarged from which she drew the cartoon.

Tapestry workshop. — Fellow student Deborah creates a flower from her original cartoon.

Making a tapestry cartoon. — I am choosing to make my cartoon from an enlarged portion of a lily photo.

Weaving from a cartoon in tapestry workshop. — Color studies and technique exercises all come together in the last part of the tapestry sampler. Weaving from a cartoon.

Tapestry progress. — Time to take the loom apart and head home. Checking my progress with the photo before packing up.

Lily sample from tapestry workshop with Joanne Hall. — Lily sample is finished at home.

I find myself pondering how experiences fall into place in our lives. There are times when the stepping stones seem to be set out before us, showing the way, when we don’t know exactly where we are going. The Lord knows where I am going. He knows me. And he kindly sets out the next steps. Perhaps he smiles as he sees our delight when we figure out that we are the bundles of yarn in his tapestry.

May your joy in learning never cease.

Happy Weaving,
Karen

Weaving Plans on Paper

December 18, 2018December 17, 2018 Karen

I doubt myself when I start weaving something. But it’s a good time to question everything. The first twenty centimeters are designated for sampling. Is this the right sett? How is the weft density? What treadling order will I use? Which weft color(s) works best?

Trying out some treadling patterns. — Trying out some treadling patterns for this cotton throw. Undulating twill is planned.

It helps to see it on the loom. I plan on paper, and get excited when I see a ready warp on the warp beam. But nothing is settled until I’ve passed the sampling tests. The plan on paper is what I think I want. And then, unanticipated adjustments and changes are necessary at the loom. In the end, I expect the actual weaving to be better than my original plan.

Sampling before weaving a cotton throw. — More sampling of treadling patterns.

Testing weft colors for undulating twill cotton throw. — Testing weft colors.

When we think we must have what we planned, we give up a better way. We lose our way when we insist on having our way. Jesus came to us as an infant (the Christmas message), leaving his rightful heavenly position. To follow Jesus is to deny myself like he did. Some of the testing means telling myself no. In return, I gain the life I could not see on my paper plan.

May you give up some of your favorite plans.

With Advent thoughts,
Karen

Testing Color Surprises with My Little Helper

August 28, 2018August 27, 2018 Karen

Twelve shafts and twelve treadles are all tied up. I found and fixed one threading error. And I am still making some adjustments on the tie-ups to get clean sheds. But for the most part, the Standard is ready to go! I have a week with this loom, to weave towels for my daughter. This colorful double weave looks promising.

My helper peers up at me as I tie on the warp. — My helper this week peers up at me as I begin to tie on the warp.

Dressing the countermarch loom. — Lower lamms and upper lamms are connected to the shafts before tying up the treadles.

Glimakra Standard with twelve-shaft double weave. — Arrangement of the heddles on the shafts give a clue to the three blocks in this twelve-shaft double weave.

Weaving with my granddaughter at my side. — Testing weft colors and patterns with granddaughter Lucia by my side.

Helper for managing the shuttles at the loom. :) — Two-year-old Lucia helps manage the shuttles.

Double-weave towels on twelve shafts. Beginning sample. — Design decisions for the towels will be made based on this beginning sample.
It’s surprising to see the array of colors produced by only four shades of cottolin thread.

When the loom is properly dressed and prepared, the weaving is delightful. Every pick of color is a pleasant surprise. Our Father knows our needs. He is the loom dresser. Everything is set up for the threads to make gorgeous cloth. Do we think prayer is all about asking God our Father for things? Yes, he does invite us to ask for the things we need. But let’s start with admiring his ways and works, with a heart of gratitude. Then, with the threads he puts in our hands, the future looks promising!

May your looms be ready for weaving.

Happy weaving,
Karen

Glorious Weft Leftovers

June 15, 2018June 14, 2018 Karen

I didn’t know it could look like this. The pleasant color interaction is astounding! Had I known, I may have woven the whole throw in this manner. This is the end of the warp, after 16 centimeters for the sample, 166 centimeters for the throw, and 50 centimeters for the lap blanket.

Double weave throw on the loom. — For the lap blanket I am spacing the blocks differently than for the throw. The deep plum weft has narrow and wider stripes that separate the squares into groups of three.

An ending sample is a perfect opportunity to use up weft left on the quills, and even some quills of 8/2 cotton left over from other projects. When the dark plum quill empties, others colors take its place. I put the colors one right after the other, without the dark plum separating them into squares. The fabric image that appears in front of me is mesmerizing!

Double weave sample on the loom. May be my favorite sample yet! — Softer color transitions are made by eliminating the deep plum weft stripes between colors.

Cutting off! Double weave in 8/2 cotton. — Back of fabric highlights the warp stripes, with deep plum squares. Now, for the finishing work!

Image. What we do with what we know contributes to the image of who we are. When we trust in Christ, who is the image of the invisible God, our image is renovated. We are renewed in our knowledge, aligning our image with God. What a magnificent thought! How differently we might live if we only knew how glorious the outcome will be. The Grand Weaver turns our leftover weft into his astounding masterpiece.

May you find glorious surprises in your leftover threads.

Happy weaving,
Karen