In my bin of handwoven fabric, most of the pieces are leftovers, like a short section from the end of a towel warp, or a colorful sampling of weft from the beginning of a warp. But a few of these woven treasures are good-sized pieces that can be used to make something. So, since I want to make a bag for my large Freja tapestry frame, I look through my selection of handwoven fabric pieces.
Piecing handwoven fabric to get the large side panels needed for the bag.Lightweight fusible interfacing is applied to the back of the fabric. I adapted and enlarged McCall’s pattern 3894, and used the pattern instructions for the sequence of steps to make the bag.Patterned band woven on the band loom, used for straps on the bag.Topstitching with red thread.
I find just what I need! Coming across these two significant lengths of fabric is like getting reacquainted with old friends. The meter of red and black cotton eight-shafttwill is something I wove in a Vavstuga class. And the blue cotton warp-printed yardage is fabric I wove to make a tiered skirt, a favorite garment that hangs in my closet. (See Quiet Friday: Handwoven Skirt.)
Bag with Freja loom is ready for a travel excursion in the Casita.In the Casita.Casita tapestry for quiet evenings in Big Bend state park in Texas. I may be able to finish it on this trip.Blue cotton warp-printed fabric, red eight-shafttwill, and patterned band from the band loom. Treasures from the past, assembled together for a joyful today.
Treasures from the past come into today to bring value and meaning. Put treasures in your today that will add value to tomorrow. Everything can change in a day, so we can’t put our confidence in tomorrow. But every new day is from the Lord, who holds the future in his hands. Today is a gift. Live it fully. Who knows? Your joy today may be tomorrow’s treasure.
Is there such a thing as too many handbags, pocketbooks, tote bags, and purses? Of course not. Naturally, my favorite handbags are made from handwoven fabric. Linings made from remnants, handwoven bands used for shoulder straps, hidden zippers, and, of course pockets–these are the details that other people will seldom notice. Yet these are the details that make me smile every time I use one of these bags.
Nineteen handwoven handbags. Various sizes, fibers, styles, and purposes. And colors. Lots of colors!
…You know that box of handwoven bits and pieces? Those weavings from the end of the warp, and the “scraps” from various projects? Hmm… looks like I might need to make another handbag or two.
Here is my collection of handwoven handbags, divided into a few categories. Plus, a short video just for the fun of it!
Wool, novelty chenille yarn, crochet cotton, and narrow fabric strips are used for weft in these bags. Buttons are from my grandma’s button jar. The small rag-weave pocketbook has a permanent home in my daily handbag. The fabric for these bags was woven on my Beka 32″ rigid heddle loom.
Linings are from remnants of other sewing projects. Bag handles were woven on my inkle loom.
Travel Finds
Trips to The Philippines yielded interesting woven goods by artisans there. The green stripe tote bag is woven from native plant material, and the teal and burgundy purse is a beautiful example of ikat weaving. The colorful weft-faced woven shoulder bag and the purple bag with lovely weft-float patterning came from travel to Chile.
Project Carriers
Large tote bag, woven with 1/4″ fabric strips for weft, carries my “show and tell” when I go to my weaving study group. It’s known as the “Mary Poppins Bag.” Rag-rug bag in the center has straps, woven on the band loom, that were woven into the bag. This bag carries my portable tapestry weaving. The rag rug bag on the right carries my one-and-only crochet project.
Special Use
Linen bag has beads woven into the fabric. It is lined with satin. Rag-weave purse is simply a flat piece folded in half, with lining and pockets added to the inside. The blue bag is wool, woven in a weft-cord technique. The fabric was partially fulled to produce the ribbed texture.
Lining for this bag is made from extra fabric after weaving cotton/linen fabric for cushions, and the pocket is a remnant from a two-block twill tencel scarf.
Daily Use Favorites
Representing some of my “firsts.” The brown and blue small shoulder bag is from one of my first cottolin towel projects. This is what I did when the last piece was too short to use for a towel. The green and turquoise clutch has remnants of my first ever handwoven towel, my first rosepath rag rug, and my first big rep weave project! The blue shoulder bag is the bag I use every day. It’s a remnant from the baby wrap I wove for my daughter’s first baby. It’s lined with a remnant from an Easter dress I made for her when she was a little girl.
New year 2017 is beginning! It’s time again to take account of where we stand in our life’s dreams and goals. What can we check off the list? And, what is still in progress? And, maybe there’s something new to add. But first, let me count my blessings. I’m filled with gratitude, thankful for you! What a JOY it is to have friends like you to walk through this weaving journey with me.
Here’s what you’ll find on my looms right now:
Glimåkra Ideal loom: Striped warp for the sample kit is all set! Winding quills is next. Then, weaving! If all goes well, a few pre-warped plattväv towel kits will show up in my Etsy shop.
Glimåkra Standard loom: Weaving a transparency. 16/2 linen warp and background weft. The weft pattern inlay is cotton chenille.
Hokett loom has the start of a simple stripes tapestry practice piece. 12/6 cotton warp, 6/1 Fåro wool weft.
The sample piece, a long rug and a short rug with string yarn, and a short rag rug. I look on these results with fondness. A challenge and a joy to weave! The two string yarn rugs will have bound hems when I get a chance to do that. I have world map fabric for the hems. The sample piece and the rag rug piece are destined to become cute bags. I have all the supplies–band loom-woven strap, and yarn to make a band loom-woven strap, lining material, and a handwoven remnant to use as inside pockets. Now, all I need is time. And we all have as much as we need of that.
In case you needed a smile today. Our dear Lucia Annabella.
There is less than a yard of this lovely fabric. I want to use it for something. After weaving the baby wrap, I wove off the remainder of the warp in twill, using multiple weft colors. The colors seem even more vibrant in this twill weave. The fabric feels great in hand, as well. Is there enough to make a handbag? Just barely; but, yes, there is enough!
After ironing interfacing to the back of the fabric, I work the puzzle of fitting the pattern pieces onto the fabric. Some piecing is necessary.
Lining pieces have pockets added.
Topstitching goes all around the top perimeter of the handbag.
How do you feel about cutting into your handwoven fabric? Once you cut, there’s no turning back. You better be sure before you get out the scissors. Fear of ruining your precious fabric can keep you from ever making the first cut. You might be tempted to fold up your fabric and tuck it away in a drawer. “At least you didn’t ruin it,” your fear would tell you. However, if you know something good will come of it, and if you have a plan, you walk past the fear and do the cutting.
Finished handbag holds the rolled baby wrap.
Handbag front is mostly twill, with five different weft colors. The warp length is crosswise in this piece.
Back of the handbag. The lining fabric is cut from a remnant left from an Easter dress I made my daughter umpteen years ago.
The peace of Christ takes the power out of fear. Instead of looking at the status quo as the only option, internal peace enables us to walk past the fear. His peace enables us to do things that require faith. Fear fades when you know that the one who is truly good does have a plan. After all, handwoven fabric is made for such a use as this.
