Weaving through The Big Book

It took me seven years of study, practice, and mistakes to complete this rigorous Swedish weaving curriculum! You have been with me through much of it right here. I’m talking about The Big Book of Weaving, by Laila Lundell. I made it through the book, sequentially, page by page, warp by warp. 43 warps in all! Remember the blue 12-shaft double-weave blanket I had on the loom in June? That is the final project in the book.

Handwoven double weave blanket. 12 shafts.
Double-weave wool fabric is ready for wet finishing, where it will be transformed into a soft, cozy blanket.

In the short video below, each completed project is presented in order in our Texas hill country home. Watch to the end to see the blue blanket in all its finished glory.

For nitty-gritty details, check out The Big Book of Weaving tab at the top of the page.

I. Secrets to success:

  • mindset of a student
  • determination
  • eyes on the goal
  • no option other than completion

One loom dedicated to the book.


II. Lessons learned:

  • technique
  • processes
  • planning
  • drafting
  • Swedish practices

Any mistake can be remedied.


III. Treasures gained:

  • patience
  • humility
  • endurance
  • focused attention
  • problem solving
  • creative freedom

Confidence.


IV. Prized perspectives:

  • new experiences
  • delight of dressing the loom
  • wonder of cloth-making
  • fresh ideas
  • joy of discovery
  • knowledge and understanding of the loom

Getting lost and absorbed in the whole process of weaving.

V. Favorite project: Old-Fashioned Weaving / Monksbelt (at 4:46 in the video)

Are we determined students of heavenly things? Oh, to know God’s will! Study what’s written, don’t lose heart, eyes on the prize, no option besides completion through Jesus Christ. One life dedicated to know him. Day by day, warp by warp, the Grand Weaver teaches us. We can know God’s will.

May you be a lifelong learner.

Happy Weaving to you,
Karen

Handwoven Treasured Leftovers

In my bin of handwoven fabric, most of the pieces are leftovers, like a short section from the end of a towel warp, or a colorful sampling of weft from the beginning of a warp. But a few of these woven treasures are good-sized pieces that can be used to make something. So, since I want to make a bag for my large Freja tapestry frame, I look through my selection of handwoven fabric pieces.

Piecing handwoven fabric to make a large bag.
Piecing handwoven fabric to get the large side panels needed for the bag.
Making bag from handwoven fabric.
Lightweight fusible interfacing is applied to the back of the fabric. I adapted and enlarged McCall’s pattern 3894, and used the pattern instructions for the sequence of steps to make the bag.
Patterned band woven on the band loom.
Patterned band woven on the band loom, used for straps on the bag.
Sewing a bag from handwoven fabric.
Topstitching with red thread.

I find just what I need! Coming across these two significant lengths of fabric is like getting reacquainted with old friends. The meter of red and black cotton eight-shaft twill is something I wove in a Vavstuga class. And the blue cotton warp-printed yardage is fabric I wove to make a tiered skirt, a favorite garment that hangs in my closet. (See Quiet Friday: Handwoven Skirt.)

Bag with Freja loom is ready for a travel excursion in the Casita.
Bag with Freja loom is ready for a travel excursion in the Casita.
In the Casita - handwoven articles.
In the Casita.
Bag from handwoven fabric for Freja tapestry loom.
Casita tapestry to work on in the Casita.
Casita tapestry for quiet evenings in Big Bend state park in Texas. I may be able to finish it on this trip.
Bag for tapestry frame - made from handwoven cloth.
Blue cotton warp-printed fabric, red eight-shaft twill, and patterned band from the band loom. Treasures from the past, assembled together for a joyful today.

Treasures from the past come into today to bring value and meaning. Put treasures in your today that will add value to tomorrow. Everything can change in a day, so we can’t put our confidence in tomorrow. But every new day is from the Lord, who holds the future in his hands. Today is a gift. Live it fully. Who knows? Your joy today may be tomorrow’s treasure.

Casita, ready to roll!
Ready to roll!

May you find treasures from the past.

Love,
Karen

Weaving History Carries Memories – Year in Review Video

Transition. Changes. Adventure into the unknown. That describes 2018 for Steve and me. When I review my weaving history for the year, everything on the loom is attached to a memory. Like an old song that awakens our thoughts to past experiences, the Lizard tapestry certainly sparks in me revived memories of our transition season and the moving of looms. See Quiet Friday: Tapestry in Transition.

Removing the warp beam. Relocating the loom.
Steve unscrews a bolster that holds one side of the warp beam so I can remove the warp beam.

I began 2018 with a plan to weave coordinated fabrics for our Texas hill country home—towels, upholstery for bar stools, and placemats, explained in this post: Harmonized Weaving for the New Year. Accomplished! I also committed to weaving a gift for each of my three daughters (daughter and two son’s wives), as described in this post: Weaving a Gift. Accomplished two out of three! The final gift is nearing halfway on the loom right now.

Hemstitching at the beginning of the cotton throw.
Cotton throw has hemstitching at the beginning. The ends will be twisted for fringe when it’s taken from the loom.

Eight-shaft twill in an undulating pattern. Lightweight cotton throw.
Eight-shaft twill in an undulating pattern. Single-shuttle weaving gets me off to a fast start for 2019.

2019 is a continuation of transition, changes, and adventure, as we tiptoe into this retirement chapter. A drawloom is in the forecast, as well as some travel tapestry weaving, and more rag rugs, towels, scarves, and throws. And anything else we can think up. It’s going to be a good year! Thank you for coming along. I’m grateful to have you as a friend.

May you have much to look forward to.

Blessings to you,
Karen

Quiet Friday: Linen Chair Seats

This week I crossed something off my Weaving Bucket List: Use handwoven fabric to upholster chairs. Remember the color-and-weave linen fabric? It’s part of my collection of fabrics designed specifically for our Texas hill country home. I covered four barstool seats with this linen upholstery fabric!

Handwoven linen upholstery fabric.

Weaving the fabric is the easy part. But I’m a newbie at upholstering. As such, using my “precious” handwoven cloth is unnerving. But I was fortunate enough to receive terrific advice and encouragement from friends, including one who conferred on my behalf with professional upholsterers she knows. And another friend generously loaned her power staple gun to me. I also referred to a book (Matthew Haly’s Book of Upholstery, by Matthew Haly) that I picked up a few years ago in hopes that I might someday reach this item on my bucket list.

Testing handwoven fabric for chair seats.

Trying out handwoven fabric for chair seats.

Removing staples, to re-cover the seat.

Covering seats with batting and muslin.

Reupholstering chair seats. Muslin first.

Handwoven linen upholstery fabric. Covering chair seats.

Handwoven linen upholstery for chair seats.

Backing the upholstered chair seats. Handwoven upholstery.

Upholstery backing in place. Handwoven upholstery project.

Finished handwoven linen chair seat! Ta da!

Underside of re-covered chair seats.

Four newly upholstered chair seats. Handwoven Upholstery.

Handwoven linen upholstery. Newly covered chair seats.

Newly covered chair seats. Handwoven Linen!

I count this as practice and a first step of experience. Eventually, I may work up the courage to reupholster our eight dining room chairs. Hmm… the thought of getting to design the fabric makes that challenge rather appealing.

May you cross something off your bucket list.

Your amateur upholsterer,
Karen

Quiet Friday: Linen Upholstery Fabric

Do you dream of making upholstery fabric? I do. There are four chair seats at our Texas hill country home that I want to re-cover. Now I have custom upholstery fabric!

Linen on the cloth beam.

Linen upholstery fabric on the loom.

Cutting off never loses its excitement! I have one long piece of yardage, with no separations or divisions.

Cutting off! Linen upholstery fabric.

Cutting off! Linen.

New linen fabric.

Light through the linen fabric. Cutting off!

Tie-on bar as linen fabric is unrolled.

Just off the loom, the hefty linen fabric (8/2 linen, warp and weft) is stiff and unyielding. Will this window-screen material make suitable upholstery that’s soft enough to sit on? Yet, even in this state, the linen beckons and intrigues.

Unwashed new linen fabric.

First, the edges are serged. I check for weaving errors, finding none. There are spliced warp ends in five places, which are trimmed.

Unwashed new linen fabric.

I make a large tube by basting the two ends of the yardage together, to reduce twisting in the wash. The washing machine (top loader) works as a soaking tub first. The linen slowly soaks up water in the tub, relaxing there for an hour or two. Then it’s time to wash and dry. The first time, I omit the spin cycle and remove it from the dryer while still damp, to prevent permanent creasing.

New handwoven linen fabric just washed.

New handwoven linen fabric just washed.

And then, I wash and dry the yardage again.

New handwoven fabric after second wash.

Custom handwoven linen upholstery fabric!

Talk about softening up! Oh, I wish you could be here to handle it with me! This is dreamy linen fabric, perfect for sitting.

Just woven custom linen upholstery fabric.

May your fabric dreams come true.

Happy weaving,
Karen