Slow and Gentle Weaving

One soft alpaca scarf. Slow and gentle. This weaving does not let me hurry. I don’t beat the weft; I carefully place it with the beater. For a rag rug weaver like me, accustomed to boisterous weaving, this soft weaving requires my full attention.

Alpaca scarf on the loom. Eight-shaft undulating twill.
Long alpaca scarf is nearing completion. Twill tape for measuring keeps track of the woven length. Two flat-head pins leap frog ahead each time I advance the warp.

There is no variation in this scarf. It’s the same treadling sequence, over and over. After this much repetition, it seems like I should be able to do this without thinking. But, no, I have to pay attention. If I don’t, I lose my place. Glaring mistakes all happen by accident.

Long alpaca scarf on the loom. Slow and gentle weaving.
Long scarf wraps around the cloth beam before it is complete.

We can choose what to hear. Listen wisely. Most things do not go in one ear and out the other. They go in one ear and down into our souls. Listening to gossip, for instance, seems harmless. It might even taste sweet. But what we hear affects our hearts. Listening to gossip is swallowing poison. It’s like weaving a faulty treadling sequence while being distracted. We must pay attention, or the wrong pattern will be woven into the scarf. Instead, let’s enjoy the gentle process of placing the weft and paying attention as we repeat the sequence we know is right.

May you be lifted up by what you hear.

All the best,
Karen

Quiet Friday: Countermarch Back Savers

After back surgery, I wondered how-in-the-world I would be able to tie up my countermarch looms. After a four-week ban on bending over, I was eager to weave, but not eager to do anything that might strain or injure my back.

Two simple maneuvers made it possible for me to tie up the lamms and the treadles on both of my Glimäkra countermarch looms:

  1. Remove the lamms. Treadle cords are added while sitting in a comfortable position.
  2. Detach the treadles. Bring treadles closer to the front of the loom for attaching treadle cords.

And two important practices kept me from over-reaching and overdoing it:

  1. Sit on a low stool instead of the back of the loom or the floor.
  2. Take frequent breaks to stand up, stretch, and walk around.

Tools:

  • Low stool for sitting
  • Rolling cart (IKEA cart) or small table
  • Plank of wood, longer than the loom is wide (one plank of warping trapeze, 1″ x 5″)
  • Treadle cords, Texsolv pins, other tie-up supplies
  • Length of cord to hold treadle up (Texsolv cord that’s used for hanging the reed for sleying)

The 120 cm (47″) Standard loom has open space in the loom, making it easy to get within arm’s reach of most things; but the challenge increases with the number of shafts–eight for this tie up.

Alpaca warp, ready for countermarch tie-up without back strain.
Beamed, threaded, sleyed, tied on. Waiting for the final step of tying up lamms and treadles.
  • Lamms are removed, 2 at a time, and placed on the cart to add the treadle cords, all the while sitting on a comfortable stool.

Countermarch tie-up without back strain.

  • After all 8 lower lamms have the treadle cords added, the lamms are reinserted in the loom, 2 at a time.

Countermarch tie-up without back strain.

  • Treadle rod is removed to detach the treadles. Wood plank keeps the treadles from sliding back while treadle cords are attached at the front of the loom.

Trick to make countermarch tie-up easier on the back.

  • Cord acts as a sling to hold the treadle up to a comfortable height.

Tips for making countermarch tie-ups more back friendly.

  • The raised treadle helps with visibility, and enables the use of both hands, especially helpful for the “Vavstuga method” of tying up treadles with knitting needles (I use sharpened dowels). After treadles are tied up, re-attach the treadles at the back of the loom.

Hints for making countermarch tie-up more back friendly.

 

The 100 cm (39″) Ideal loom requires more reaching. Tying lamms to the shafts is a challenge for short arms, like mine. With four shafts, and only three treadles for this tie up, the rest of the process isn’t difficult.

Threaded for striped towels. Glimakra Ideal.
Threaded for striped towels. Glimäkra Ideal has smaller spaces in which to work than in the Standard loom.
  • Upper lamms are placed on the cart. I hold the weaving draft in my lap as I add the treadle cords to the lamms.

IKEA cart as tie-up helper.

  • Lower lamms are removed as the pin is pulled out. After the treadle cords are added, the lamms are reinserted.

Removing lamms to make countermarch tie-up back friendly.

  • Detached treadles lay on the floor. They easily pivot up at the front of the loom for attaching treadle cords.

Tips for making countermarch tie-ups less straining on the back.

  • Everything is tied up and ready to weave!

All tied up and ready to weave!

May you stay healthy to live long and weave.

Happy Weaving,
Karen

Wavy Twill Rythym

I’m happy when I find my weaving rhythm, and I’m almost there with this scarf. This alpaca yarn is a weaver’s dream. No warp ends are breaking, and the weft compliantly scoots into place. That means I can put most of my attention on other details.

All those "oops" as I learn the treadling at the beginning of the warp.
Getting the kinks out at the start of the warp. 1-2-3-4-5-6-7-8; 1-3-5-7; 2-4-6-8. I always plan enough warp to be able to practice first. I have plenty of “oops” in the first few inches.

This wavy 8-shaft twill has straight twill threading, which means the pattern is in the treadling. It’s not difficult treadling…once you get the hang of it. But, as usual, it takes practice. It is tricky to find and correct errors because of the subtle curve in the pattern. The more practice I get, the smoother the weaving goes, and the fewer errors I make. There is no shortcut to the kind of confidence that comes from attentive practice.

Alpaca scarf, weaving in the afternoon sun.
Weaving in the afternoon sun. Whimsically weaving a bit of sunlight into the cloth.
Alpaca scarf on the loom. 8-shaft wavy twill.
When weaving rhythm takes off, quality improves, as does weaving enjoyment.

Did you know you are gifted? There are skills and insights that come easier for you than for other people. The gifts that God put in you, that are in your DNA, set you apart. Practice them to gain confidence. Put your attention on using your gifts. You may be surprised how much your gifts bless others. Finding your rhythm is worth the effort it takes. (And, on the subject of DNA, here’s an interesting perspective from Sarah H. Jackson, Textile Artist.)

May you unwrap your gifts.

With you,
Karen

Autumn Alpaca

Autumn is the perfect time of year to plan alpaca scarves. This three-ply alpaca yarn is dreamy. The thing I love about winding a warp like this is the feel of the soft yarn as it goes through my fingers. This warp is going on the big loom for an eight-shaft wavy twill.

Winding a warp of alpaca yarn for scarves.
Counting cord is used to keep track of the number of ends that are wound onto the warping reel. This warp was counted 40 ends at a time.

The first pass around the warping reel must be correct, which is why I measure the distance first with a guide string. After the first pass, I simply follow the correct path around until all 136 alpaca ends have been included. I am already starting to dream about the eventual soft and cozy scarves.

100% alpaca in a 3-ply yarn, preparing warp for weaving scarves.
100% alpaca in a 3-ply yarn.

Alpaca warp chain.

Following the path of the guide string is like having faith to follow Christ. Faith grows in good soil. And there is no better soil than Christ himself. I don’t yet see the scarves, but it’s not hard for me to imagine what they will be like. I have touched the yarn, and the completed warp chain is a sweet preview. When we see what Christ has completed, faith takes root and gives us reason to trust him for everything else.

May your roots grow down into good soil.

The Three Rosepath Rag Rugs For Now have been hemmed and are listed in my Etsy shop. Take a look!

Yours,
Karen

Quiet Friday: Eight-Shaft Block Twill Rugs and More

The sample piece, a long rug and a short rug with string yarn, and a short rag rug. I look on these results with fondness. A challenge and a joy to weave! The two string yarn rugs will have bound hems when I get a chance to do that. I have world map fabric for the hems. The sample piece and the rag rug piece are destined to become cute bags. I have all the supplies–band loom-woven strap, and yarn to make a band loom-woven strap, lining material, and a handwoven remnant to use as inside pockets. Now, all I need is time. And we all have as much as we need of that.

Dressing the Loom

Eight-Shaft Block Twill Rugs with String yarn Weft

Eight-Shaft Block Twill Rugs with String yarn Weft

Eight-Shaft Block Twill Rugs with String yarn Weft

Eight-Shaft Block Twill Rugs with Fabric Strips for Weft

Eight-Shaft Block Twill Rugs with Stringyarn Weft

Eight-Shaft Block Twill Rugs with String yarn Weft

Eight-Shaft Block Twill Rugs with String yarn Weft

Eight-Shaft Block Twill Rugs with Fabric Strips for Weft

Making a rag rug bag. Strap woven on band loom. Karen Isenhower

Eight-Shaft Block Twill Rugs with String yarn Weft, make bound hems.

Eight-Shaft Block Twill Rugs with String yarn Weft, making bound hems.

Making cute bag from sample piece of 8-shaft block twill weave.

In case you needed a smile today!
In case you needed a smile today. Our dear Lucia Annabella.

May you have all the time you need.

All the best to you, my dear friends,
Karen