Stay Ahead of Empty Quills

What a delight to weave with just one shuttle for a change! It is relaxing to weave this Swedish lace wrap. Even moving the temple and getting up to advance the warp becomes part of the natural rhythm of weaving.

Exchanging empty quill for a filled one.
Empty quill is replaced with a filled quill from the loom bench basket. Smooth operation. My foot needn’t even leave the treadle.

There is one thing that breaks my stride. An empty quill. If I have to stop in the middle of a sequence to wind more quills, I lose momentum and sometimes I even lose my place. Solution? Stop ahead of time at a sensible place in the sequence and wind quills to put in my loom basket. Then, while weaving, it’s a seamless motion to change quills and keep going. It’s a pause instead of a dead stop.

Hemstitching at the end of this wrap.
Hemstitching at the end brings the weaving stage of this piece to a close.

We need to prepare for those times when people seem harder to love. It helps to think ahead, and fill our heart basket with the thoughts of kindness and humility that are essential to keep going. We have a good reason to love each other. We have been loved first. God so loved us that he gave his son. This is the Christmas news. God sent his son to be born here on this earth to be with us hard-to-love people and to save us. That’s good news worth celebrating!

May your heart basket be filled with love.

Christmas Blessings,
Karen

Counting at the Cross

I am winding a lovely all-blue warp on my warping reel. When I pause, as I do regularly to count the ends, it is easy to put the winding on hold. I tuck the pair of warp ends under a section of wound warp at one of the vertical posts of the reel. That holds it, and keeps threads under tension until I’m ready to continue where I left off.

Winding a warp on a warping reel.
Pair of warp ends are held secure while I stop to count another section of ends.

I stop after winding each section. I do the counting at the cross, always counting twice. A long twisted cord (one of my choke ties) marks my place, section by section. The count needs to be an exact match, of course, with the number of ends in the pattern draft.

Counting warp ends as I wind a warp on the warping reel.
Long twisted cord helps keep track of how many ends have been counted.
Cotton warp just beamed.
After the warp is beamed, each section is counted again to prepare for threading the loom.

The Christmas season reminds us that Jesus brought grace to earth. From manger to cross. The grace of the Lord Jesus is perfectly complete. Like a planned warp, there is nothing more to add. All the threads have been counted. And they match the divine plan. Any threads of my own effort would be threads that don’t belong. The grace of forgiveness comes purely as a gift.

May your counted ends match the pattern.

Christmas blessings,
Karen

Making this Autumn Rag Rug

I enjoy making it up as I go—changing blocks and switching colors. That’s what I did for the first quarter of this long rug. Then, I made notes of what I did so I could reverse the pattern to the middle of the rug. The entire sequence, then, is repeated for the second half. And now, there are only six more inches to weave on this autumn-toned rug.

Rag rug on the loom. Spaced rep.
First rug on this warp is almost complete.

Because of experience I gained by weaving towels with thick and thin threads, I am quite comfortable designing this rug on the loom. Fabric strips and rug warp = thick and thin. I understand it. On the other hand, for every weaving concept I understand, I realize how much more I don’t know at all. Who can be good at it all?

Cloth beam fills up with a long rag rug.
Cloth beam is wrapped with this long rag rug. Kumihimo braided cord that is attached to my Gingher snips hangs on the corner of the breast beam. I “wear” the snips when I sit down to weave.
Rag rug on the loom. Karen Isenhower
Thick and thin weft enables interesting patterns in the spaced rep rag rug.

I am pretty good at being “good.” But I’m far from perfect. We know that Jesus went about doing good and helping people. So, yes, we can follow his example. But there’s a problem. Being good is not good enough. Our good will never reach perfection. Fortunately, Jesus gave us more than a good example. He gave his life so that we could receive forgiveness for everything in us that is not good. And that is what we call good news!

May your cloth beam fill up with woven goods.

Happy weaving,
Karen

Wild Linen Rya

Rya knots and loops of threads look chaotic at first. These linen rya knots will never be tame, but that’s to be expected. Linen butterflies have created a swath of wild rya “flowers” planted in a smooth linen “lawn.”

Making rya knots with a bundle of linen threads.
Continuous weft bundle forms loops between rya knots.
Linen rya knots.
Loops are clipped. Green butterfly is for the background plain weave weft.

Each section of rya starts with a butterfly made of several strands of linen in assorted weights and colors. I tie each rya knot on a pair of warp ends, leaving a loop between knots. There are two to three passes of plain weave between each row of knots. When I finish a butterfly, I go back and clip all the loops. After the loops are cut, I trim the tops of the threads to even out the rya “flower garden.”

Linen rya knots on a linen weft-faced background.
Tops of the rya threads are trimmed. I intentionally leave a few shorter and longer threads, for interest.
Linen rya knots on a weft-faced linen background. Tapestry/inlay sampler.
Linen rya knots on a weft-faced linen background. Wild linen “flowers” growing out of a smooth linen “lawn.”

When things around us look a mess and don’t make sense, full of knots and loops, there is one thing we must do. Keep holding on to faith. Fight to keep your faith strong. Faith in Christ Jesus will carry you through uncertainty and will reveal the first ray of hope. The loops will be clipped, the threads will be trimmed. A garden of color will emerge. Faith waits for that.

May your faith be strong.

All the best,
Karen

Now I Am Weaving Bluebonnets!

Bluebonnets! Another Texas hill country subject for a transparency. I am weaving a simplified imitation of this celebrated wildflower. It starts with a photograph I took of bluebonnets in our hill country backyard this spring.

Texas hill country bluebonnets
Cropped and enlarged photograph of our Texas hill country backyard bluebonnets.

After enlarging the photo to poster size, I outlined the basic shapes that I wanted to include in the transparency. Next, I turned the poster over and transferred the outlines to the back. I traced the lines onto a piece of buckram to use for the cartoon. Everything is ready (the warp has already been tied back on). Let’s get started!

Selecting Mora wool colors for a woven transparency.
Planning colors for the bluebonnet transparency. Photo on the iPad is used for reference in selecting Mora wool colors.
Cartoon for a new transparency weaving.
Pattern is traced onto a piece of buckram to use as the cartoon. Dashed line down the center of the cartoon will be lined up with the center warp end when the cartoon is pinned to the back of the weaving.
Starting a woven transparency. Texas bluebonnets!
Nineteen bundles of Mora wool colors are introduced on the first row of pattern weaving. About three hours of weaving is pictured. After the intricate leaves at the bottom of the picture, it will be smooth sailing! 🙂

We have been given a true picture of love. God shows it to us in Jesus Christ. Christ loved us and gave himself up for us. With child-like fascination, I want to imitate the heart of that kind of love. To walk in love like Christ means to give yourself away for the sake of others. Linen and wool threads are not sufficient to show the living beauty of a bluebonnet. Nor are my efforts to love going to be perfect. But by keeping the picture in front of me as I weave, I hope to convey the delight of springtime Texas bluebonnets. And present a transparent picture of love that’s out of this world.

May you imitate only the best.

With love,
Karen