New year 2017 is beginning! It’s time again to take account of where we stand in our life’s dreams and goals. What can we check off the list? And, what is still in progress? And, maybe there’s something new to add. But first, let me count my blessings. I’m filled with gratitude, thankful for you! What a JOY it is to have friends like you to walk through this weaving journey with me.
Here’s what you’ll find on my looms right now:
Glimåkra Ideal loom: Striped warp for the sample kit is all set! Winding quills is next. Then, weaving! If all goes well, a few pre-warped plattväv towel kits will show up in my Etsy shop.Glimåkra Standard loom: Weaving a transparency. 16/2 linen warp and background weft. The weft pattern inlay is cotton chenille.Hokett loom has the start of a simple stripes tapestry practice piece. 12/6 cotton warp, 6/1 Fåro wool weft.
How far will you travel? How will you know when you have arrived? Do you wish you could know when you are halfway there? Applied to weaving, I like to have the answers to these questions before I begin the “journey.” A pre-measured tape gives me consistency, especially important for multiple pieces in a set. The tape also acts as my “trip odometer.” I can see how far I’ve gone, and exactly how much is left to weave. It satisfies my insatiable need to know how close I am to the end. Are you like that, too?
How to Make and Use a Pre-Measured Tape
Supplies
Roll of 3/4″ or wider twill tape (or any cloth tape or ribbon that does not stretch, and that pins easily)
Tape measure with inches and/or centimeters
Fine tip permanent marker
Flat head pins
Use the permanent marker to place markings on the twill tape, as measured with the tape measure. Mark the start line 1/2″ from the end of the twill tape, so that the tape can be pinned in front of the mark.
After drawing a line for the starting point and ending point, draw a line at the midway point, labeled MID.
Include dotted lines for hem measurements, if applicable. Write the hem measurement on the twill tape; i.,e., 3/4″ or 2 cm.
Write the weaving length measurement on the twill tape. Include calculation for takeup, if desired; i.,e., 25″ + 3″.
Write the project or item description on the twill tape, if desired, for ease of repeat use; i.e., handtowel.
Add other lines or marks, as needed, for borders, placement of weft colors, or other design elements.
1/2″ after the final marking, cut pre-measured twill tape from the roll of tape.
With the warp under tension, pin the pre-measured twill tape near the right or left selvedge with two flat-head pins. Match the start line of the tape with the beginning of the weaving.
Before each advancement of the warp, move the pin closest to the breast beam to a point near the fell line. In this way, have the pins leapfrog each other, moving only one pin each time. Always keep the warp under tension when moving the pins.
Beginning hem, after red cutting lines between towels.Ending hem is followed by two red picks that will become the cutting line between towels.When the “MID” point hits right where it should! Mid point marking helps to confirm that the halvdräll pattern is centered and balanced in its length.Weft color placement is marked on the twill tape for these linen lace scarves.Five centimeters, marked at the end of the twill tape, is a handy reference for spacing the weft pattern floats in these plattväv towels.I love seeing the “MID” point on a long piece, such as this 8-shafttwill alpaca scarf.Breaking up the length into quarters helps to set a pace for the weaving project. This baby wrap was on a time crunch, so it was helpful to know when I was getting close to the end.
Do you remember the black and white towels? I love the fascinating results of weaving with thick and thin warpends, and thick and thin weft threads. That’s why I submitted a project to Handwoven for their November/December 2016 Thick & Thin issue. I gave you only a brief glimpse of the thick and thin towels I wove on an Aquamarine, Teal, and Moss warp, from the palette given me for that issue. (See Tools Day: Loom Cart and This Time in Color.)
Double bobbin shuttle carries the doubled weft.Breast beam with thick and thin towels.Cut from the loom, new colorful thick and thin towels.Towels just off the loom.
Guess what!? My project was accepted for publication. Not only that, these towels that I enjoyed designing and weaving have been placed on the cover! What an unexpected privilege!
As great as it is to have your handiwork appear on the cover of a national publication, there is something even greater–being loved. Being on the receiving end of kindness, compassion, and forgiveness. Love is like that. Love is to be demonstrated. That’s how Christ demonstrated his love to me–kindness, compassion, and forgiveness. His love is printed on the cover of my heart, with instructions written within so that I can learn to love like I’ve been loved. That’s the cover story I like to tell.
May your heart be covered with love.
With love, Karen
PS I am recovering from back surgery better than anyone expected. I’m not weaving yet, of course, but I have no shortage of things to share with you while I regain my strength! Thanks for your wonderful encouraging words and prayers for my full recovery.
My grandmother made a sweet little pinafore that my sisters and I wore when we were babies–each in our own time. Several years ago I came across that simple little “apron,” and made a pattern from it. My first granddaughter received the little pinafore from me almost six years ago, made from fabric I wove on my rigid heddle loom. Now, this little pink and green pinafore is being handed down to my expectant daughter, for her little baby girl, due this summer. And her baby will have the prettiest handwoven burping towel (or light little blanket) any baby has ever had. Nothing is too good for a grandbaby, right?
Fabric woven on a rigid heddle loom is used to make a baby girl’s pinafore. The pinafore pattern came from my grandmother’s handiwork. The background quilt shows more of my grandmother’s skill with fabric, needle, and thread.Handwoven towel and pinafore. Fit for a little princess.
I want to give something more important than things to my grandchildren. I want to give them the stories of the wonders God has performed in my lifetime. The stories that connect one generation to another. The stories that are woven from ancient stories. Pass down the ancient stories. Weave the threads that the child can wear for life.
May your children’s children remember your stories.
Thick and thin in color. The appeal for me is that something so simple can look so complex. How can plain weavedo this? By having thick and thin threads that alternate in a certain way. Add color, and the options multiply!
For the thin thread, I use 30/2 cotton. This very thin thread has a big impact on the fabric design. Strategically placed in the warp, it helps define the two blocks. Repeating the thin thread in a weft sequence is what produces a block change while weaving. The thin threads are integral to the design, yet they will barely be noticed after the fabric is wet-finished.
It is fascinating how much impact little things have. Character is revealed in the verylittle things. It’s the special touch you add, the extra time you give, the kind thoughts you think. It’s how you are at home, doing ordinary things for your family. It’s who you are, what you are thinking, and what you are doing. …when no one is noticing. These are the little things that tell who we are at the core. Faithful in little; faithful in much.
