cutting off – Page 6 – Warped for Good

Waiting to Cut Off the Tapestry

January 21, 2020January 20, 2020 Karen

I desperately want to unroll this tapestry so we can see the whole thing. The tapestry and its linen header are finished. But it’s not quite time to cut it off. First, I am weaving the rest of this beautiful linen warp. Not another tapestry, just a lacey rosepath weave using a tomato orange 6/1 tow linen weft.

One more row of weft for this Siblings tapestry! — With one more row of wool weft this tapestry is completed. Ten picks of linen in a plain-weave header follow. After that, a few rows of wool weft (leftover butterflies) are woven to secure the weft.

Linen on linen, with linen hemstitching. — Hemstitching secures the weft for this lacey weave.

It won’t take much time to weave this off, especially compared to the slower process of weaving the tapestry. Hemstitching, which does take time, will help keep this loosely-woven piece from unraveling when the warp is finally cut off. Soon enough, we will enjoy the full view of the completed Siblings tapestry.

View of the messy underside of the tapestry.

Only a short distance remains on this beautiful linen warp.

Time. We all have it. And yet none of us knows how much of it we have. How many days have we been given? We don’t know. Time is temporary. Imagine a place where time isn’t measured. That’s heaven. Our short time here is but a pilgrimage to another destination. Our trust in Jesus opens heaven’s doors. In the meantime, the Grand Weaver’s warp will be woven, and not wasted, to the very end.

May you complete your pilgrimage in the time you’ve been given.

Blessings on your journey,
Karen

Process Review: Drawloom Jewels

September 24, 2019September 23, 2019 Karen

It is exciting when Maverick walks by. Although he never comes in my drawloom studio, he does stop for a moment to look my way. You’ll see him in the slideshow video below. But what happens inside the studio is even more exciting, especially when it’s time for cutting off!

Drawloom with 16 pattern shafts. — Drawloom, set up with sixteen pattern shafts. I graph out the designs in Excel on my computer. Then, I print out the gridded pattern to use at the loom. I keep my place in the pattern with a magnet and magnet board made for cross-stitch embroidery.

This is Tuna wool, so I expect some shrinkage, but how much? I take careful measurements before and after wet finishing. Besides the main piece of fabric that I’m using for a garment, I have two sample pieces. I can experiment with the samples before wet finishing my garment fabric.

Here are my findings:
Sample 1. Hand wash and air dry.

10% shrinkage in width; 13% shrinkage in length.

Sample 2. Machine wash (3 minutes agitation on a gentle cycle, with a short spin) and machine dry (low setting) till damp, finish with air drying.

13% shrinkage in width; 14% shrinkage in length.

~How to do the shrinkage calculations~
First measurement (on the loom) minus the second measurement (after washing and drying) equals the difference. The difference divided by the first measurement equals the percentage difference.
For example, 50 cm – 43.5 cm = 6.5; 6.5 / 50 = 0.13; 13% shrinkage.

The first sample fabric is softer than the unwashed fabric, but not as soft as I’d like. The second sample fabric is beautifully soft, like a nice warm sweater. So, with confidence, I wet finish the garment fabric—with great results. It’s perfect for the fall/winter vest that I’ll soon be wearing, made from this fabric!

Wool garment fabric from a drawloom. — Like a sweater, this soft fabric will be comfortable to wear.

Making a pattern for handwoven garment fabric. — Muslin pattern for a simple vest. First, I’ll make a vest out of a wool throw, woven on my rigid heddle loom ages ago. Then, I will cut into the new drawloom fabric, with confidence about the fit.

Enjoy this photo show of the drawloom process.

May you enjoy the process you’re in.

Happy Weaving,
Karen

Cutting Off a Failure

May 21, 2019May 20, 2019 Karen

I made an embarrassing blunder. No wonder this Tuna wool resists all my efforts. It’s the wrong yarn! Tuna is 6/2 wool—twice as thick as the 6/1 wool I should be using. Cowboy Magic won’t solve this sticky problem. (I thought it would, as I expressed in this post: Tame the Wool.)

The yarn is gorgeous, but my frustration level is pushing me to throw in the towel. I tried hard to make this work. I was so convinced I had the right yarn that I missed it even when reader Joan left a gentle comment asking if 6/1 Fårö yarn would work (I’m sorry for not listening, Joan). There is nothing left but to cut off this failure.

Cutting off out of frustration. — Every shed is a struggle. It seems impossible to get a clean shed with this “sticky” yarn. (It’s not the yarn’s fault, though.)

Cutting off a failure. Ouch! — Failed piece is cut off. There are unwanted floats everywhere, and the fabric is like cardboard because of the tight sett.

Cutting off a failed double weave project. Ugh. — Bottom of the double weave has even more unwanted floats than the top layer.

In this lowest moment a thought occurs to me. Re-sley the reed. An ounce of hope rises.

Re-sleying to a coarser sett. Hoping for success. — Reed is changed from 50/10 metric to 40/10 metric. This spreads the warp an additional 19.9 cm (7 3/4″).

Wool for a double weave blanket. Second try. — Sleying is complete and the new reed is placed in the beater.

Wool warp for a double weave blanket. — Warp is tied on and leveling string is tightened. On your mark, get ready, get set…

I re-sley to a coarser reed and tie back on. I hold my breath and step on the treadles. It works. And it’s gorgeous!

Double weave wool blanket on 12 shafts. Glimakra Standard. — Go! Night and day difference in being able to clear each shed.

Double weave at its finest. Wool blanket. — Double weave at its finest.

Weaving into the sunset! — Weaving into the sunset.

Double weave Tuna wool blanket on Glimakra Standard. Success! — Clean lines of double weave, with a (very) few unwanted floats that will be easy to fix later.

Double weave wool blanket. Success after starting over! — This is now a pleasure to weave!

Have you experienced great disappointment and loss of hope? Sometimes our own failure brings us to that point. The Lord makes things new. We come to Jesus with our failed attempts, and he exchanges our used rags of effort with his clean cloth of righteousness. In his forgiveness, the failure is cut off and removed. Our threads are re-sleyed and re-tied to make us gloriously new.

May you know when to cut off and start over.

Love,
Karen

Drawlooms in Montana

February 5, 2019February 4, 2019 Karen

Montana is beautiful, with snow-capped mountains and big-sky sunrises! It’s there that I took Joanne Hall’s fantastic drawloom class last week. My confidence level about setting up and weaving on my drawloom shot up 100 per cent! (And Steve got to experience fishing on the ice with Joanne’s husband Ed!) Please continue all the way to the end of this post to read about submitting a question for Joanne to answer.

Gorgeous Montana mountains by Joanne's weaving studio. — View from Hall Lane, in front of Joanne and Ed’s home.

Cathleen and Deborah and I wove on the shaft drawloom, the single unit drawloom, and the Julia loom set up with half-heddle sticks to weave opphämta. What joy! …even in the challenges of learning new things.

Single unit drawloom weaving. — Single unit drawloom has the capability of weaving imagery, and even words, like “Lost Valley,” the name of our Texas hill country home.

Single unit drawloom in Joanne Hall's weaving studio. — Single unit drawloom in Joanne Hall’s weaving studio.

Half-heddle sticks for weaving opphämta. — Joanne demonstrates how to use half-heddle sticks and shows us some opphämta samples.

Shaft drawloom weaving. 6/2 tuna wool warp and weft. — Pattern has Xs that show where to pull the shaft draw handles. The red dot of a straight pin keeps my place as I follow the rows from bottom to top.

Shaft drawloom in Joanne Hall's studio. — Pulled pattern shaft handles are secured in the hook bar.

Weights hang on the pattern units in the drawloom. — Normally, one two-ounce U-shaped weight hangs on each pattern unit. In this case, with 6/2 Tuna wool, two weights hang on each pattern unit.

Drawloom samplers unrolled! 6/2 tuna wool warp and weft. — Wool yardage and samplers are unrolled and cut off the 120cm Glimåkra Standard loom. Oh, the colors and patterns!

Joanne taught us how to understand patterns and drafts, and how to make our own patterns. And we dressed the drawloom—we threaded pattern heddles and ground heddles, and distributed pattern shafts. Boy, did we students make mistakes! But with quiet Joanne, there is always a way to fix anything that matters. She is a picture of grace.

Distributing pattern heddles on the drawloom. — Deb separates pattern heddles that will be placed on the next pattern shaft.

Pointed threading of pattern heddles on the drawloom. — After undoing some beginner errors, we finally have all the pattern heddles in order (pointed threading) on the eleven pattern shafts.

Weights under the drawloom. — One weight hangs on the long heddles of each six-thread pattern unit.

In the loom together! Karen (me), Cathleen, and Deborah enjoy the expertise and kindness of Joanne.

Eight-pointed star on the shaft drawloom at Joanne Hall's drawloom class. — New 16/2 cotton warp on the shaft drawloom. I emptied a few quills to weave the traditional eight-pointed star pattern. Meanwhile, Joanne watched treadles, lamms, and shafts to fine tune the sheds. Everything is *just right!*

Striving to look good to other people, we face unwelcome judgment. Striving to please ourselves, we face demands of perfection. But when our heart strives to please the Lord, we receive grace. Our failures fade in importance as our confidence in his faithfulness grows. Know who you are working for. The imperfect images we weave in the cloth are a humble gift of gratitude back our Grand Weaver.

Wool shaft drawloom sampler. — Wool shaft drawloom sampler, at home now in my drawloom studio.

Shaft drawloom sampler from Joanne Hall's drawloom class. — Reverse side of wool sampler was face up on the loom.

Single unit drawloom sampler. Our *Lost Valley* home, with details that remind us of our 2018 transition year.

Draw cords and handles are in place on the new drawloom. — Draw cords and handles are in place. Forty more will be added soon.

Shaft drawloom is just about ready for first project! — Shaft drawloom is ready. Single unit drawloom parts will be added later.
Please excuse me now while I go wind a warp!

May your imperfections be greeted with grace.

Love and grace,
Karen

~What are your questions? Joanne has answers~

Are you curious about drawlooms? Are you considering a drawloom for yourself? Do you have a drawloom and wish you could ask an expert for help? Please put your question about drawlooms and/or drawloom weaving in the comments below, or send your question to me through Get in Touch. Joanne Hall’s answers to two selected questions will be included in next week’s post. Please submit your question by this Friday, February 8.

Process Review: Comfy Throw With Fringe

January 22, 2019January 21, 2019 Karen

This throw has fringe. It seems appropriate for a homestyle cotton wrap. Fringe says comfortable, casual, and playful. I do not mind the time it takes to twist the threads to make this tactile edging. It’s a satifying close to a worthwhile project. After all, who can resist running their fingers through soft twisted fringes?