Happy Ending Rag Rug Warp

Welcome to my weaving studio, which doubles as our home, I said, as they walked up to the front door. Our luncheon guests were introduced to the weaving environment of the Texas hill country home that Steve and I enjoy. Our time together was refreshing, filled with lively conversation over a home-cooked meal, complete with discussions about looms, threads, and like-minded pleasures.

Lunch with honored guest, Joanne Hall.
Steve and I enjoy lunch with honored guest, Joanne Hall, and a few members of the San Antonio Handweavers Guild.
Karen, Janis, Joanne Hall, Henriette, Vesna, and Cindy.

Six rosepath rag rugs encompass the cloth beam, with the back tie-on bar just inches behind the heddles. It seems only fitting that the woman who gave me my first rosepath rag-weaving experience should be given the cherished scissors for this momentous occasion. Joanne, will you do us the honor of cutting off? I couldn’t have wished for a happier ending of this warp.

Joanne Hall does the honor of cutting off the rag rugs.
Joanne Hall, ready to cut off the rag rugs.
Cutting off rag rugs.
Cutting off.
Unrolling the cloth beam with new rosepath rag rugs.
Unrolling rugs from the cloth beam.
Six new rosepath rag rugs, ready for finishing.
Six new rosepath rag rugs, ready for finishing.

We all have wishes, some of which we make public, and some remain as closely-held secrets. It’s those deep wishes that make us who we are. God knows your name. He knows your deep desires. One day, all our secret wishes will be rolled out like a stretch of rag rugs for the Maker to examine. Amazingly, he offers grace to cover the wrongs. And He embroiders his Name on the hand-crafted souls that belong to him.

May your cloth beam keep filling up with deep-hearted wishes.

Your friend,
Karen

Tapestry Promise

You will see the front of the Siblings tapestry. I promise. When I cut a tapestry from the loom the weaving is finished. But the tapestry is not complete until the finishing is finished. And I have substantial handwork yet to do before this tapestry is ready for display.

Cutting off a new tapestry!
Cutting off the tapestry.
Back of the Siblings tapestry.
View of the back of the tapestry. Non-distinct imagery.

I am securing the ends in a woven edging. Then, I will trim weft tails, stitch things down around the perimeter, and put on a backing. Additional hand-stitching work will stabilize the whole piece. When you see the Siblings tapestry again, you will see it in full view on the wall right behind my loom.

Woven edging on the new tapestry.
Warp ends are woven together along the edge, and will end with a short braid.
Tapestry just off the loom. Finishing process.
Edge will be folded under and stitched down before the backing is added.

Hope is built on promise. Do not forget God’s promise. Come to Me, all of you who are weary and burdened, and I will give you rest. And, Jesus expresses the promise to His followers, I will be with you always. We see the tapestry of life from the human side, the unfinished side. Hope, paired with patience, takes us through the uncertain future. We have assurance of the Lord’s grace, His meticulous handwork, bringing His work to completion. In the meantime, we give Him our burdens and He gives us rest. As promised.

May your hope be strong.

With you,
Karen

Waiting to Cut Off the Tapestry

I desperately want to unroll this tapestry so we can see the whole thing. The tapestry and its linen header are finished. But it’s not quite time to cut it off. First, I am weaving the rest of this beautiful linen warp. Not another tapestry, just a lacey rosepath weave using a tomato orange 6/1 tow linen weft.

One more row of weft for this Siblings tapestry!
With one more row of wool weft this tapestry is completed. Ten picks of linen in a plain-weave header follow. After that, a few rows of wool weft (leftover butterflies) are woven to secure the weft.
Linen on linen, with linen hemstitching.
Hemstitching secures the weft for this lacey weave.

It won’t take much time to weave this off, especially compared to the slower process of weaving the tapestry. Hemstitching, which does take time, will help keep this loosely-woven piece from unraveling when the warp is finally cut off. Soon enough, we will enjoy the full view of the completed Siblings tapestry.

View of the messy underside of the tapestry.
View of the messy underside of the tapestry.
Only a short distance remains on this beautiful linen warp.
Only a short distance remains on this beautiful linen warp.

Time. We all have it. And yet none of us knows how much of it we have. How many days have we been given? We don’t know. Time is temporary. Imagine a place where time isn’t measured. That’s heaven. Our short time here is but a pilgrimage to another destination. Our trust in Jesus opens heaven’s doors. In the meantime, the Grand Weaver’s warp will be woven, and not wasted, to the very end.

May you complete your pilgrimage in the time you’ve been given.

Blessings on your journey,
Karen

Process Review: Drawloom Jewels

It is exciting when Maverick walks by. Although he never comes in my drawloom studio, he does stop for a moment to look my way. You’ll see him in the slideshow video below. But what happens inside the studio is even more exciting, especially when it’s time for cutting off!

Drawloom with 16 pattern shafts.
Drawloom, set up with sixteen pattern shafts. I graph out the designs in Excel on my computer. Then, I print out the gridded pattern to use at the loom. I keep my place in the pattern with a magnet and magnet board made for cross-stitch embroidery.

This is Tuna wool, so I expect some shrinkage, but how much? I take careful measurements before and after wet finishing. Besides the main piece of fabric that I’m using for a garment, I have two sample pieces. I can experiment with the samples before wet finishing my garment fabric.

Here are my findings:
Sample 1. Hand wash and air dry.

10% shrinkage in width; 13% shrinkage in length.

Sample 2. Machine wash (3 minutes agitation on a gentle cycle, with a short spin) and machine dry (low setting) till damp, finish with air drying.

13% shrinkage in width; 14% shrinkage in length.

~How to do the shrinkage calculations~
First measurement (on the loom) minus the second measurement (after washing and drying) equals the difference. The difference divided by the first measurement equals the percentage difference.
For example, 50 cm – 43.5 cm = 6.5; 6.5 / 50 = 0.13; 13% shrinkage.

The first sample fabric is softer than the unwashed fabric, but not as soft as I’d like. The second sample fabric is beautifully soft, like a nice warm sweater. So, with confidence, I wet finish the garment fabric—with great results. It’s perfect for the fall/winter vest that I’ll soon be wearing, made from this fabric!

Wool garment fabric from a drawloom.
Like a sweater, this soft fabric will be comfortable to wear.
Making a pattern for handwoven garment fabric.
Muslin pattern for a simple vest. First, I’ll make a vest out of a wool throw, woven on my rigid heddle loom ages ago. Then, I will cut into the new drawloom fabric, with confidence about the fit.

Enjoy this photo show of the drawloom process.

May you enjoy the process you’re in.

Happy Weaving,
Karen

Cutting Off a Failure

I made an embarrassing blunder. No wonder this Tuna wool resists all my efforts. It’s the wrong yarn! Tuna is 6/2 wool—twice as thick as the 6/1 wool I should be using. Cowboy Magic won’t solve this sticky problem. (I thought it would, as I expressed in this post: Tame the Wool.)

The yarn is gorgeous, but my frustration level is pushing me to throw in the towel. I tried hard to make this work. I was so convinced I had the right yarn that I missed it even when reader Joan left a gentle comment asking if 6/1 Fårö yarn would work (I’m sorry for not listening, Joan). There is nothing left but to cut off this failure.

Cutting off out of frustration.
Every shed is a struggle. It seems impossible to get a clean shed with this “sticky” yarn. (It’s not the yarn’s fault, though.)
Cutting off a failure. Ouch!
Failed piece is cut off. There are unwanted floats everywhere, and the fabric is like cardboard because of the tight sett.
Cutting off a failed double weave project. Ugh.
Bottom of the double weave has even more unwanted floats than the top layer.

In this lowest moment a thought occurs to me. Re-sley the reed. An ounce of hope rises.

Re-sleying to a coarser sett. Hoping for success.
Reed is changed from 50/10 metric to 40/10 metric. This spreads the warp an additional 19.9 cm (7 3/4″).
Wool for a double weave blanket. Second try.
Sleying is complete and the new reed is placed in the beater.
Wool warp for a double weave blanket.
Warp is tied on and leveling string is tightened. On your mark, get ready, get set…

I re-sley to a coarser reed and tie back on. I hold my breath and step on the treadles. It works. And it’s gorgeous!

Double weave wool blanket on 12 shafts. Glimakra Standard.
Go! Night and day difference in being able to clear each shed.
Double weave at its finest. Wool blanket.
Double weave at its finest.
Weaving into the sunset!
Weaving into the sunset.
Double weave Tuna wool blanket on Glimakra Standard. Success!
Clean lines of double weave, with a (very) few unwanted floats that will be easy to fix later.
Double weave wool blanket. Success after starting over!
This is now a pleasure to weave!

Have you experienced great disappointment and loss of hope? Sometimes our own failure brings us to that point. The Lord makes things new. We come to Jesus with our failed attempts, and he exchanges our used rags of effort with his clean cloth of righteousness. In his forgiveness, the failure is cut off and removed. Our threads are re-sleyed and re-tied to make us gloriously new.

May you know when to cut off and start over.

Love,
Karen