I am well into threading when I realize I neglected to take into account how many heddles I need for this project! I don’t have 2,064 even if I grab all of the heddles from the other loom. This double weave throw project is at a deadend until more heddles appear. I hurriedly place an order for more heddles…
This Glimåkra Standard is one of three looms that share my supply of Texsolv heddles.
Thankfully, the new heddles arrive quickly and the project is alive again.
This is what 1,000 Texsolv heddles looks like! I didn’t want to run out again any time soon.Heddles come in bundles of 100, held together with twist ties. WARNING: DO NOT undo the twist ties before you put the heddles on the shaft bars. You’ll be sorry…Before putting the heddles on the shaft bars, and while they are still tied into bundles, clip the loops at each end.I clip the loops on both ends of the heddles. It is easy to move heddles wherever you want if the loops are cut, including repositioning individual heddles. (It is far easier to clip the loops while the heddles are still tied together.)There are 100 new heddles on each shaft. The heddles that are not used will be tied up and put away in my heddle box, ready for the next time I need more heddles.
Alive. This is the Easter season when we celebrate the resurrection of Jesus Christ. He died, and was made alive again! What makes it even more fantastic is what that means for us. We all have a goodness shortage. And without a source of true goodness, our lifetime self-improvement project is at a dead end. Yet, through faith in the powerful working of God, we are raised with Christ. We are made alive together with him. His true goodness becomes our living source.
Threading progresses. New bundles of heddles stand ready to be used!
Halfway is a milestone when you are threading 2,064 ends. This double weave in two blocks has threading such that I can listen to podcasts without losing my place. It’s a long stretch to the halfway point.
Before threading, I find the center of the warp and the group of ends that are just past center. I drape those ends on the back beam to mark the spot.
Center of the warp is identified. The ends just left of center mark the spot.Sitting in my playhouse to thread the heddles. No hurry.
I’m excited to reach halfway in the threading! It’s a turning point. Now, while they are readily accessible, I position all of the shaft-to-lamm cords to hang down, right at the center of the warp where they belong.
Half of the threading work is done! Only 1,032 ends to go. 🙂Center of the warp. Good time to align the cords that go from the lower shaft bars to the upper lamms.Threading for the double weave throw continues, a few minutes here, an hour there, until all the ends are in heddles.
Have you ever reached a turning point in life, and knew it was time to position things? We try to be good and loving. But we’re never as good as we think. And we end up loving only the people we want to love. We have been separated from God. Our misdeeds push us away from him. Easter is resurrection, but before that is the cross of Christ. God so loved us that he closed the separation between us and him with the cross. That’s the turning point he offers to us, to set things right. Our part is to believe.
There are four pairs of overlapping warp chains, with stripes to line up. I created a mess. A few options to consider: 1. Give up. 2. Weave it as is, destroying the design. 3. Use two sets of lease sticks, and expect problems with threading (2,064 ends). 4. Transfer all ends to a single set of lease sticks, arranging threads in order for each stripe.
Each of four warp chains were duplicated when I realized I had wound only half the correct number of ends in each chain.
Option 4 seems the riskiest. If I lose the cross while transferring threads, I have an even bigger mess. It’s all or nothing. Go for it! Fortunately, my apprentice, Juliana, arrives in the nick of time to give me a hand.
Lease cross is tied separately for each color “partial” stripe.Stripes from the two warp chains are transferred to a single set of lease sticks. Now the stripe colors are at their full correct width.For the four center warp chains, each section of color is separated and tied at the cross. It takes an extra set of hands to transfer them in order to the primary set of lease sticks.All warp ends are now successfully transferred to a single set of lease sticks. Let the loom dressing begin!
It worked! All the threads are successfully transferred to one pair of lease sticks. What a relief! I can beam the warp knowing that all is well. A beautiful double weave throw is imminent.
Warp is pre-sleyed at the loom. So far, so good.Ready to beam! Looking forward to this dressing and weaving experience.
We all have made a mess of our lives, and we know it. We hear of options to fix things, but one seems the riskiest: Transfer everything to God. But what if I mess that up, too? There’s good news. God transfers us. When we place our trust in Jesus Christ, God transfers us from our messy state to his good order. And the result is a weaving that showcases his workmanship—a beautiful you.
It was six weeks ago that I began winding the warp for these towels. The thread for my next Glimåkra Standard project is due to arrive tomorrow. Just like I like it—revolving door weaving. I have no doubt that this set of towels will become family favorites. They are a feast for the eyes, and a tactile delight for the hands. Seeing the color on the reverse side takes my breath away. This whole experience has been the weaving satisfaction that I’ve come to cherish!
Square Dot towels. Ten shafts, ten treadles. Two block five-shaftsatindräll. 8/2 cotton warp. Weft is 8/2 cotton and 22/2 cottolin, and 16/2 linen for the white stripes on the red towel.
I did face difficulties near the end of the warp. The shed started deteriorating with some of the shafts, but I was determined to finish off the last towel to its full length. That meant coaxing the low profile shuttle through for a few inches. Consequently, I did have more errant floats to repair than usual. But, isn’t it wonderful that we can fix just about anything in this weaving adventure?
End of warp. What I didn’t see at the loom is that one shaft in particular was not behaving. There were at least eight floats along that one warp end. After repairs and washing and pressing, the errors are barely noticeable.
I made a warp from thread on leftover quills to weave up some hanging tabs on my band loom for three of the towels. And I found a linen piece in my “band stash” that is perfect for the red and white towel.
Enjoy the slideshow that I made for you with details of the process.
A tape measure is a weaver’s best friend. Think about how many ways the tape measure serves you. I have one at each loom. Always. And I have a few others scattered around, hanging up, and in bags. Because you never know when you might need to measure something.
Tape Measure Uses
Take measurements to determine the desired size of the finished cloth, such as window measurements for curtains, floor space for area rugs, or length of skirt tiers for skirt fabric.
Double check the width of the warp after it is pre-sleyed.
Check the width of the warp on the back tie-on bar.
Center the reed in the beater for beaming the warp by measuring the distance from the warp in the reed to the outside edge of the beater on both sides.
Find the starting point to sley the reed by measuring half of the warp width outwards from the center of the reed.
Double check the width of the warp in the reed after it is sleyed.
Center the reed in the beater for weaving.
Adjust to the correct width of the warp on the front tie-on bar after the warp is tied on.
Mark the measured weaving length on twill tape or ribbon to use as a weaving length guide.
Measure the distance between pieces that require unwoven warp, such as for fringe, or for tying knots between rag rugs.
Measure the distance from the first shaft (nearest the back of the loom) to the back tie-on bar (especially when you are hoping there is enough warp left to finish a symmetrical pattern).
Measure the width and length of fabric that has been wet finished, dried, and pressed.
Measure your pleasure at the loom. Immeasurable!
Tape measure with imperial and metric units, both of which I use regularly. Metal ends have been removed from the tape to clearly see the tape’s markings, and because I slip the tape into a dent of the reed when I am marking the spot to start sleying.Glimåkra Ideal loom, with tape measure in its usual place hanging on the end of the loom bench.Glimåkra Standard loom, with tape measure ready for the next measuring task.Tape measure hanging over the back beam on the Texas hill country loom while pre-sleying the reed and positioning things to prepare for beaming the warp.Extra-long tape measure hangs on the peg strip above my work table.Occasionally, I borrow Steve’s metal carpenter’s tape measure from his wood carving bench.Compact retractible sewing tape measure rides in my travel tapestry bag. It has imperial and metric units.No purse is complete without a tape measure, right? (A tape measure can outlive the business it promotes.)
What have I missed? Can you think of other ways your tape measure comes in handy?
