Before everyone arrives for our Thanksgiving family gathering, I am making pie crust for the pecan pie, dough for my “famous” cranberry bread, and doing the prep to make Gram’s turkey dressing. Each family is bringing their contributions to the meal (feast). Thanksgiving Day is a flurry of activity with too many cooks in the kitchen—just how we like it! And sitting at the table with the feast before us, we give thanks. Thanks to each other, and to our Creator. We are blessed!
Thanksgiving feast prep. It takes two pastry chefs to make the perfect pecan pie.
And before everyone arrives I also manage to sley the reed on the Standard. A different kind of dressing—loom dressing.
Two ends per dent in a 45/10 metric reed.I sit “inside” the loom on my loom bench to sley the reed.After the reed is sleyed, I remove the loom bench, lower the shafts, and move the countermarch to the front of the loom. Then, I place the reed in the beater and make sure it is centered. Next step–tying on!Getting dressed. Oh the beauty of a fresh warp going over the back beam! Magical.
A feast for the eyes and hands and heart. Thankful indeed!
Threadingfourshafts is straightforward because the heddles fit perfectly between four fingers and a thumb. Threading eight shafts is tricky because we don’t have that many fingers! Thankfully, threading eight shafts can be as straightforward as threading four shafts. I like to think of it as four shafts in the back, and four shafts in the front.
Set a small group of heddles apart on each shaft to prepare for threading the next group of ends.
Pick up the next threading group of ends and bring it to the front, on the left side of the separated heddles.
Lace the threading group of ends under, over, under, over the fingers of your left hand, palm up.
Left hand becomes tensioning device for threading the heddles. I like to put my index finger in between the two parts of the cross, as separated by the lease sticks.
Wrap left hand index finger around the group of heddles on shaft one (the shaft nearest the back of the loom), the middle finger around heddles on shaft two, the ring finger around heddles on shaft three, the pinky around heddles on shaft four, and bring the thumb around to hold it all loosely together.
Each warpend is taken in order from between the lease sticks, and then threaded through the heddles in order.
Thread the first four heddles—1, 2, 3, 4.
With the right hand, hold the group of warp ends taut, and open the fingers of the left hand to release the heddles.
Keeping the group of warp ends loosely laced around the fingers, slide the left hand toward you to thread the next four heddles—5, 6, 7, 8. Position your fingers around the heddles on each shaft, as you did for the first four shafts.
Left hand slides toward the front of the loom to thread the next four heddles. It helps to hold the warp ends taut with the right hand while the left hand is repositioned.
After threading the second set of heddles, follow the same procedure as before and slide the left hand back again to thread 1, 2, 3, 4.
Continue sliding the left hand forward and back, until the threading is completed for that group of ends.
Check the threading group for accuracy, and then tie the group of ends together in a loose slip knot.
Always check for accuracy before moving on to the next threading group.
Complete the threading across the warp. And then, step back and admire the beauty of a beamed and threaded loom.
Shafts are raised high for good access and visibility for threading, and for checking for accuracy.Threading is complete. Cotton throw. 8/2 cotton, undulating (wavy) twill on eight shafts.
May you find efficient methods for the work of your hands.
Though small, this pocket-sized tapestry took a few months to complete. A car ride here, a coffee shop there, a move across town, and an imminent move across the state—this tiny tapestry has been in the background through it all.
The weft tails are neatly trimmed, but the back is completely exposed. I’m not weaving the tails in this time, nor covering them with a fabric backing. Just hold the tiny tapestry in your hand and feel it. Remember that all the pleasant color distinctions and pick-and-pick samples on the front side have a back side, too. True, the back doesn’t make as much sense. However, I want my friend who is receiving this to see and touch the heart of the weaving.
Using a needle to pull the warpends back through the warp thread header. After pulling through, the warp ends are trimmed close to the surface. The weft tails are also trimmed to about 1/2″.
Steaming the tiny tapestry. 12/6 cotton warp pulls together nicely as the back of the tapestry is steamed.
Exposed back of the tapestry reveals trimmed weft tails.Visual and tactile satisfaction.
This is a picture of grace. Look at the heart of the matter. We so often rely on the rules. Break a rule, and you’re condemned. But Jesus is interested in the heart. A pure heart doesn’t stand condemned. This is why the gift of his forgiveness is so wonderful. God knows the exposed messy side of our tapestry. Yet, his grace sees us as perfectly covered by Christ Jesus himself.
This is the third and final gift promise from last Christmas. A Cornflower and Willow 8/2 cotton warp will become a throw in wavy (undulating) twill for my daughter-in-law Lindsay. I am hopeful that I will be able to finish it before Christmas. As promised. (See Weaving a Gift.)
A pleasant surprise arrived in the mail this week—the November/December 2018 issue of Handwoven magazine. Guess what?! My Stained Glass Scarf made it to the front cover!
