courage – Page 2 – Warped for Good

Quiet Friday: Linen Chair Seats

May 25, 2018May 24, 2018 Karen

This week I crossed something off my Weaving Bucket List: Use handwoven fabric to upholster chairs. Remember the color-and-weave linen fabric? It’s part of my collection of fabrics designed specifically for our Texas hill country home. I covered four barstool seats with this linen upholstery fabric!

Weaving the fabric is the easy part. But I’m a newbie at upholstering. As such, using my “precious” handwoven cloth is unnerving. But I was fortunate enough to receive terrific advice and encouragement from friends, including one who conferred on my behalf with professional upholsterers she knows. And another friend generously loaned her power staple gun to me. I also referred to a book (Matthew Haly’s Book of Upholstery, by Matthew Haly) that I picked up a few years ago in hopes that I might someday reach this item on my bucket list.

I count this as practice and a first step of experience. Eventually, I may work up the courage to reupholster our eight dining room chairs. Hmm… the thought of getting to design the fabric makes that challenge rather appealing.

May you cross something off your bucket list.

Your amateur upholsterer,
Karen

Four-Shaft Tapestry Adventure

May 1, 2018April 30, 2018 Karen

Most of my preparation for this project has been separate from the loom itself. The loom is dressed and ready. That’s the easy part. The lion’s share of the work is in developing the cartoon. This project is my first four-shaft tapestry. My usual tapestry work is on a small portable tapestry frame. This is BIG in comparison. 93 centimeters (36 1/2 inches) in the reed.

Glimakra Ideal with linen warp, ready to weave a tapestry. — Linen warp is tied on. Treadles are tied up. Sheds are clean. This Glimåkra Ideal is ready and waiting for the weaver.

Cartoon is on a table behind the loom undergoing cartoon prep. — Warp beam. Cartoon is on a folding table behind the loom undergoing cartoon prep.

After finding a subject for the tapestry, I have been drawing the cartoon and a cartoon key. And I have the yarn. Now, I am determining colors, distinguishing values, and arranging my yarn into a workable order. To tell the truth, the cartoon scares me. It shows me how grand a task I’ve signed up for. But there’s no turning back. I’m committed. (I will show you the cartoon when I’m further along…)

Wool being sorted for 4-shaft tapestry. — Wool, mostly 6/2 Tuna and 6/1 Fårö, with a few other wool yarns thrown in. These are some of the colors going into the planning of the cartoon.

Distinguishing between different values in the wool yarn assortment. — Black and white photo helps distinguish between the different values of the yarn colors. Contrast in values help define the woven image.

The cartoon shows the intent of the tapestry designer. Likewise, heaven shows the Grand Weaver’s perfect plan. Heaven holds the true picture. Heaven and earth, two parallel realms. Jesus came to earth to bring us into that heavenly version of the tapestry. When we put our trust in him, our colorful threads in various hues and values are woven together in the grandest tapestry ever.

May you take a bigger step than you have before.

Courageously (with knees knocking),
Karen

Dream Weave and Slow Reveal

April 24, 2018April 23, 2018 Karen

This project is a slow reveal. I am showing what I am doing now, but I am waiting to tell what this will become. There is a flurry of preparation behind the scenes. In time, you will see what develops on the loom. You and I both will find out if I am jumping in over my head. Or, if I can, in fact, pull this off.

Warping reel with 16/2 linen for a new warp. — Warping reel with 16/2 line linen for a new warp.

Dressing the Glimakra Ideal loom with linen. — Linen shows itself to be a beautiful mess.

This is a gorgeous linen warp, with three shades of 16/2 linen: sable, northsea blue, and persian blue. I am dressing my Ideal loom to almost full weaving width: 93 centimeters. The sett is 3 ends per centimeter in a 30/10 metric reed (equivalent to 7.6 ends per inch). I am intensely eager and cautiously optimistic regarding this weaving adventure.

Linen. Dressing the loom. — Linen. Sable, northsea blue, and persian blue. Bockens linen comes with color numbers only. It is interesting to see the names given to the colors by different suppliers. These creative color names are from Vävstuga.

Ready to beam this linen warp on my Glimakra Ideal loom. — Pre-sley reed is in the beater. It’s time to grab some warping slats, slide the lease sticks forward, and beam the warp.

Love is like a hidden dream in your heart, awaiting expression. Love goes with you. It is a treasure you get to bestow on others. In some cases, your treasure may be their only hope. The God of love with us weaves the love of God in us, as his faithfulness is revealed over a lifetime. If we could see the end result the Grand Weaver has in mind, most certainly it would make us smile.

May the God of love and the love of God be with you.

Secretly,
Karen

Transferring Warp Ends Takes Courage

March 6, 2018March 5, 2018 Karen

There are four pairs of overlapping warp chains, with stripes to line up. I created a mess. A few options to consider: 1. Give up. 2. Weave it as is, destroying the design. 3. Use two sets of lease sticks, and expect problems with threading (2,064 ends). 4. Transfer all ends to a single set of lease sticks, arranging threads in order for each stripe.

Eight warp chains...to correct a huge winding error. — Each of four warp chains were duplicated when I realized I had wound only half the correct number of ends in each chain.

Option 4 seems the riskiest. If I lose the cross while transferring threads, I have an even bigger mess. It’s all or nothing. Go for it! Fortunately, my apprentice, Juliana, arrives in the nick of time to give me a hand.

Transferring color stripes to one set of lease sticks. — Lease cross is tied separately for each color “partial” stripe.

Transferring two warp chains to a single set of lease sticks. — Stripes from the two warp chains are transferred to a single set of lease sticks. Now the stripe colors are at their full correct width.

Preparing to transfer warp ends. — For the four center warp chains, each section of color is separated and tied at the cross. It takes an extra set of hands to transfer them in order to the primary set of lease sticks.

Delicate transfer of warp ends accomplished! — All warp ends are now successfully transferred to a single set of lease sticks. Let the loom dressing begin!

It worked! All the threads are successfully transferred to one pair of lease sticks. What a relief! I can beam the warp knowing that all is well. A beautiful double weave throw is imminent.

Pre-sleying the reed at the loom. — Warp is pre-sleyed at the loom. So far, so good.

Double weave warp ready to beam! — Ready to beam! Looking forward to this dressing and weaving experience.

We all have made a mess of our lives, and we know it. We hear of options to fix things, but one seems the riskiest: Transfer everything to God. But what if I mess that up, too? There’s good news. God transfers us. When we place our trust in Jesus Christ, God transfers us from our messy state to his good order. And the result is a weaving that showcases his workmanship—a beautiful you.

May you take a worthy risk.

With you,
Karen

Bold Color and Weave

February 20, 2018February 19, 2018 Karen

Remember the placemats I started on my Texas hill country loom in Colors on Trial? The pattern in the fabric looks nice and pretty. But it doesn’t display the striking color-and-weave effect that I expected. The problem is not the threading, nor the colors.

Color and weave using single weft instead of doubled weft. — Nice and pretty, but lacking the boldness of the planned color-and-weave effect.

Aha! I overlooked an important detail on the treadling draft—the weft is supposed to be doubled. That changes everything! Since there is very little excess warp for this project I need to back up and start over.

Backing up the weaving. Clipping through weft threads. Yikes! — Backing up. After loosening warp tension, I carefully clip the weft threads down the center of the warp. I go at a snail’s pace to avoid accidentally snipping any warp ends.

Backing up. Weft removal, one pick at a time. — Removal, one pick at a time. I press the treadles in reverse order to pull out each row of weft threads.

Weft has been removed. Now ready to start over! — Back to the start. Sufficient weft has been removed. Now I am ready to start over.

I am losing the nice and pretty fabric. But it is being replaced with something better—fabric with a bold color-and-weave effect.

Two double-bobbin shuttles with color and weave. — This is the color-and-weave effect I was looking for! Two double-bobbin shuttles carry the weft threads.

Color and weave for placemats. — First placemat is a “Joseph’s coat” combination of colors. Bold color-and-weave effect has a striking pattern.

I would like my life to be nice and pretty, easy and comfortable. But if I get closer to the Grand Weaver’s intentions, I see something different—a bold strength of purpose. Not necessarily easy. God’s will is better than mine. When we aim to understand his will, we see details that we’ve overlooked. It affects how we walk through life. We take his doubled weft threads to replace our well-meaning attempts. The result is a beautiful display of striking life-changing effects.

May you be mindful of the important details.

With you,
Karen