Warp Chain Optimist

Is there a better picture of optimism than a warp chain? Especially warp chains that are sitting on the loom bench ready to become something! Anticipation electrifies the weaving space because fabric-making is about to happen!

Warp chains for a spaced repp rag rug.
Four bouts of 12/6 cotton rug warp for spaced rep rag rugs. The warp is eight meters long.

The Glimåkra Ideal is getting dressed for weaving rag rugs. Hooray! And the Glimåkra Standard is getting dressed for double weave baby blankets. I keep a regular cycle of weaving, cutting off, and starting over.

Warp chains of 8/2 cotton for baby blankets.
Three bouts of 8/2 cotton for double weave baby blankets, gifts for friends. The warp is three meters long.

Dress the loom. Weave a sample. Plan the next project and order supplies. Weave what’s on the loom to the finish line. Cut off. Do the finishing work. Wind the warp for the next project, and put the warp chain(s) on the loom bench. Repeat. Repeat. Repeat.

Every beginning has an end. Every warp. Every life. And even every day comes to an end. What will I make of that warp? This life? This day? Our life is a mere shadow, fading quickly. To honor our Grand Weaver, we want to value every day we’ve been given. And when our hope and trust is in Him, we know the fabric he is weaving will last forever.

May you value this day you’ve been given.

Happy weaving,
Karen

Quiet Friday: Favorite Weaving Books

I know how to write music. I am experienced in playing improvisational music on my cello. And I don’t have a problem making up a tune to sing on the spot. But nothing touches the richness of music’s beauty like getting out the Beethoven Sonatas at the piano, or Bach’s Six Suites for the cello, or singing from an old-fashioned hymnal. Likewise, I do know how to write a weaving draft from scratch, but I usually find my starting point in one of my favored weaving books. There are countless designs and dreamy pictures. From simple to extraordinary. Sometimes I follow the instructions precisely. But most often, the improviser in me examines the elements and finds a new version to “play.”

Here are just a few of my favorite weaving books, and a sampling of what they have produced.

Some of my favorite weaving books!
Favored weaving books, in no particular order. Do you see a theme? Yes, I like to weave Swedish patterns from Swedish books on my Swedish Glimåkra looms.
Turned rosepath from "The Big Book of Weaving."
Rosepath band with turned rosepath.
Lundell, Laila, and Elisabeth Windesjö. “The Big Book of Weaving: Handweaving in the Swedish Tradition: Techniques, Patterns, Designs, and Materials.” North Pomfret, VT: Trafalgar Square, 2008.
From "Älskade Trasmattor." Rosepath rag rug.
Rosepath rag rug.
Hallgren, Ann-Kristin, and Monica Hallén. “Älskade Trasmattor: att Väva Som Förr.” Kalmar: Akantus, 2006. (“Beloved Rag Rugs: To Weave As Before”)
Rosepath rag rug. Karen Isenhower
My version of this rosepath rag rug makes itself at home in our Texas hill country getaway.
Rosepath rag rug from "Favorite Rag Rugs," by Tina Ignell.
Rosepath rag rug. My very first rosepath rag rug is positioned in a prominent place in our home where it is seen and stepped on every day. Much to my delight.
Ignell, Tina, and Catherine Zienko. “Favorite Rag Rugs: 45 Inspiring Weave Designs.” North Pomfret, VT: Trafalgar Square Books, 2007.
Rosepath rag rug in "Alla Tiders Trasmattor."
Another rosepath rag rug. No end to rosepath rag rug possibilities, it seems.
Hallgren, Ann-Kristin, and Monica Hallén. “Alla Tiders Trasmattor.” Akantus Edition, 2007. (“All Time Rag Rugs”)
Rosepath rag rug.
Rosepath rag rug uses alternating weft colors in the plain weave sections, adding visual texture.
"Stardust" scarf from "Happy Weaving from Vävmagasinet."
Called “warp-faced combination weave” in the book. I don’t know what else to call it. I wove this scarf when I didn’t know exactly what I was doing yet. If you see any mistakes, just think of them as “design elements.”
Johansson, Lillemor, Charlotta Bosson, Conny Bernhardsson, and Katie Zienko. “Happy Weaving from Vävmagasinet.” Glimåkra: Vävhästen, 2004.
Classic twill towels, from "Simple Weaves," by Björk and Ignell
Cottolin twill towels. I have a small sample piece. All the towels I wove are happily drying hands and dishes in homes of family and friends.
Björk, Birgitta Bengtsson, Tina Ignell, and Bengt Arne Ignell. “Simple Weaves: over 30 Classic Patterns and Fresh New Styles.” North Pomfret, VT: Trafalgar Square, 2012.
Double binding rag rug, from "Swedish Rag Rugs 35 New Designs."
Double binding rag rug. This sweet rug is resting in my Etsy shop, waiting for a new home.
Johansson, Lillemor, Pia Wedderien, Marie Rolander, Conny Bernhardsson, and Katie Zienko. “Swedish Rag Rugs: 35 New Designs.” Glimåkra: Vävhästen, 1995.

May you play as much music as you can find.

…and speaking of Etsy! The original River Stripe Towels and Table Centerpiece Cloth that I wove are now listed in the Warped for Good Etsy Shop. And there may still be one River Stripe Towel Set Pre-Wound Warp Instructional Kit (Workshop in a Box) left! UPDATE: THE KIT HAS BEEN SOLD.

Happy Weaving,
Karen

Quiet Friday: Swedish Rosepath Rag Rug

My introduction to rosepath rag rugs was on a room-size loom in Joanne Hall’s magical Montana studio. I was so happy at that moment that I actually cried. It’s no surprise, then, that I relish every opportunity to weave a rosepath rag rug. And even better, to share the joy with other handweavers who may not have tried it yet. Look what came in the mail this week! The March/April 2017 issue of Handwoven, with a project by yours truly–Swedish Rosepath Rag Rug!

Swedish Rosepath Rag Rug, as seen in March/April 2017 Handwoven.
Swedish Rosepath Rag Rug, as seen in March/April 2017 Handwoven.

Not everyone loves weaving rag rugs. That’s fine. But if you’re a weaver, there is probably something that draws your interest and brings delight. A certain weave structure, silky fibers, fine threads, complex patterns, bold colors. Something. And if you’re not a weaver, there is something else that triggers your pursued interest. Find that spark that ignites joy in you!

Beginning a rag rug.
Besides using a pre-measured tape, taking a picture at the beginning of the rug, with the yellow tape measure in view, makes it easy to replicate the hem at the end of the rug.
Temple in place, weaving Swedish rosepath rag rug.
Temple is in place, keeping the rugs a consistent width. Metal rug temples are good, but I still prefer a regular wooden Glimåkra temple for weaving rag rugs.
Weaving rosepath rag rugs. Fun!
Many rosepath variations are possible. The rug on the cloth beam uses a similar design, with different colors.
Swedish Rosepath Rag Rug. Karen Isenhower
Making paths of roses. Rosepath.
Swedish Rosepath Rag Rug.
Progress!
Seeing the reverse side of the rosepath rag rug on the loom.
Reverse side of the rug has a subtly different pattern.
Swedish rosepath rag rug on the loom. Rug in March/April 2017 Handwoven.
Cloth beam fills up with rag rugs. Pleasant sight for a rag rug weaver!
Ending the rosepath rag rug on the loom.
Ending the rug on the loom. Following the markings removes guesswork.

Keep a song in your heart. Sing. Sing for joy. Sing praise to the Grand Weaver who put the seed of searching in you. A seed that bursts open with joy when ignited with a spark, and flourishes into something distinguishable. Trust the Lord with all your heart. Your heart will find its melody.

Swedish Rosepath Rag Rug as seen in March/April 2017 Handwoven.
Published in March/April 2017 Handwoven.

May your heart sing a joyful tune.

ATTENTION: The draft for the  Swedish Rosepath Rag Rug from Handwoven is written for a sinking shed loom. Therefore, for a jack loom, you must tie up the “white” empty squares instead of the numbered squares for the pattern to show right side up as you weave.

If you are interested in weaving rag rugs, take a look at Rag Rug Tips, a new tab at the top of the page.

Happy Weaving,
Karen

Now This Year

New year 2017 is beginning! It’s time again to take account of where we stand in our life’s dreams and goals. What can we check off the list? And, what is still in progress? And, maybe there’s something new to add. But first, let me count my blessings. I’m filled with gratitude, thankful for you! What a JOY it is to have friends like you to walk through this weaving journey with me.

Here’s what you’ll find on my looms right now:

Striped cottolin warp for towels.
Glimåkra Ideal loom: Striped warp for the sample kit is all set! Winding quills is next. Then, weaving! If all goes well, a few pre-warped plattväv towel kits will show up in my Etsy shop.
Transparency with linen warp and background weft. Cotton chenille weft inlay.
Glimåkra Standard loom: Weaving a transparency. 16/2 linen warp and background weft. The weft pattern inlay is cotton chenille.
Practice piece on little Hokett loom.
Hokett loom has the start of a simple stripes tapestry practice piece. 12/6 cotton warp, 6/1 Fåro wool weft.

Thank you for joining me through 2016!

May you have joy in the journey.

Happy Weaving New Year,
Karen

Quality Rug Warp

After a few weeks of having to refrain from weaving, I am thankful that there was warp to weave one more rug. The quality of warp thread matters because it is the core of the rug. Never underestimate the value of good, strong warp thread for weaving rag rugs.

Rosepath rag rug almost complete!
First hem is going around the cloth beam. Weaving is almost complete!

I like to use 12/6 cotton from Bockens. This rug warp is a six-strand thread with high twist. The smooth, nearly-unbreakable thread enables me to ratchet up the tension on the warp. That high tension helps produce sturdy, tightly packed rugs with tidy selvedges. Knowing you are making a rug that will last is a very satisfying and enjoyable weaving experience.

Cutting off never gets old!
Cutting off never gets old.
Rosepath rag rug just finished. Karen Isenhower
Ta da! Hems are folded under for the picture. As soon as the hems are stitched, this rosepath rag rug will have its Etsy photoshoot.

With finishing nearly complete, this rag rug will be enjoyed on the floor of someone’s home. Most people aren’t aware of the structural elements of a rag rug, but they do notice quality in the finished work. People, too, have an inner core–the heart. The heart matters. The strength of our inward framework determines our outward attitudes and actions. Since true quality is found in a life that serves others, most everything comes down to a matter of the heart.

May your quality of life be noticeable.

Happy weaving,
Karen