Is there such a thing as too many handbags, pocketbooks, tote bags, and purses? Of course not. Naturally, my favorite handbags are made from handwoven fabric. Linings made from remnants, handwoven bands used for shoulder straps, hidden zippers, and, of course pockets–these are the details that other people will seldom notice. Yet these are the details that make me smile every time I use one of these bags.
Nineteen handwoven handbags. Various sizes, fibers, styles, and purposes. And colors. Lots of colors!
…You know that box of handwoven bits and pieces? Those weavings from the end of the warp, and the “scraps” from various projects? Hmm… looks like I might need to make another handbag or two.
Here is my collection of handwoven handbags, divided into a few categories. Plus, a short video just for the fun of it!
Wool, novelty chenille yarn, crochet cotton, and narrow fabric strips are used for weft in these bags. Buttons are from my grandma’s button jar. The small rag-weave pocketbook has a permanent home in my daily handbag. The fabric for these bags was woven on my Beka 32″ rigid heddle loom.Linings are from remnants of other sewing projects. Bag handles were woven on my inkle loom.
Travel Finds
Trips to The Philippines yielded interesting woven goods by artisans there. The green stripe tote bag is woven from native plant material, and the teal and burgundy purse is a beautiful example of ikat weaving. The colorful weft-faced woven shoulder bag and the purple bag with lovely weft-float patterning came from travel to Chile.
Project Carriers
Large tote bag, woven with 1/4″ fabric strips for weft, carries my “show and tell” when I go to my weaving study group. It’s known as the “Mary Poppins Bag.” Rag-rug bag in the center has straps, woven on the band loom, that were woven into the bag. This bag carries my portable tapestry weaving. The rag rug bag on the right carries my one-and-only crochet project.
Special Use
Linen bag has beads woven into the fabric. It is lined with satin. Rag-weave purse is simply a flat piece folded in half, with lining and pockets added to the inside. The blue bag is wool, woven in a weft-cord technique. The fabric was partially fulled to produce the ribbed texture.Lining for this bag is made from extra fabric after weaving cotton/linen fabric for cushions, and the pocket is a remnant from a two-block twill tencel scarf.
Daily Use Favorites
Representing some of my “firsts.” The brown and blue small shoulder bag is from one of my first cottolin towel projects. This is what I did when the last piece was too short to use for a towel. The green and turquoise clutch has remnants of my first ever handwoven towel, my first rosepath rag rug, and my first big rep weave project! The blue shoulder bag is the bag I use every day. It’s a remnant from the baby wrap I wove for my daughter’s first baby. It’s lined with a remnant from an Easter dress I made for her when she was a little girl.
New year 2017 is beginning! It’s time again to take account of where we stand in our life’s dreams and goals. What can we check off the list? And, what is still in progress? And, maybe there’s something new to add. But first, let me count my blessings. I’m filled with gratitude, thankful for you! What a JOY it is to have friends like you to walk through this weaving journey with me.
Here’s what you’ll find on my looms right now:
Glimåkra Ideal loom: Striped warp for the sample kit is all set! Winding quills is next. Then, weaving! If all goes well, a few pre-warped plattväv towel kits will show up in my Etsy shop.Glimåkra Standard loom: Weaving a transparency. 16/2 linen warp and background weft. The weft pattern inlay is cotton chenille.Hokett loom has the start of a simple stripes tapestry practice piece. 12/6 cotton warp, 6/1 Fåro wool weft.
How far will you travel? How will you know when you have arrived? Do you wish you could know when you are halfway there? Applied to weaving, I like to have the answers to these questions before I begin the “journey.” A pre-measured tape gives me consistency, especially important for multiple pieces in a set. The tape also acts as my “trip odometer.” I can see how far I’ve gone, and exactly how much is left to weave. It satisfies my insatiable need to know how close I am to the end. Are you like that, too?
How to Make and Use a Pre-Measured Tape
Supplies
Roll of 3/4″ or wider twill tape (or any cloth tape or ribbon that does not stretch, and that pins easily)
Tape measure with inches and/or centimeters
Fine tip permanent marker
Flat head pins
Use the permanent marker to place markings on the twill tape, as measured with the tape measure. Mark the start line 1/2″ from the end of the twill tape, so that the tape can be pinned in front of the mark.
After drawing a line for the starting point and ending point, draw a line at the midway point, labeled MID.
Include dotted lines for hem measurements, if applicable. Write the hem measurement on the twill tape; i.,e., 3/4″ or 2 cm.
Write the weaving length measurement on the twill tape. Include calculation for takeup, if desired; i.,e., 25″ + 3″.
Write the project or item description on the twill tape, if desired, for ease of repeat use; i.e., handtowel.
Add other lines or marks, as needed, for borders, placement of weft colors, or other design elements.
1/2″ after the final marking, cut pre-measured twill tape from the roll of tape.
With the warp under tension, pin the pre-measured twill tape near the right or left selvedge with two flat-head pins. Match the start line of the tape with the beginning of the weaving.
Before each advancement of the warp, move the pin closest to the breast beam to a point near the fell line. In this way, have the pins leapfrog each other, moving only one pin each time. Always keep the warp under tension when moving the pins.
Beginning hem, after red cutting lines between towels.Ending hem is followed by two red picks that will become the cutting line between towels.When the “MID” point hits right where it should! Mid point marking helps to confirm that the halvdräll pattern is centered and balanced in its length.Weft color placement is marked on the twill tape for these linen lace scarves.Five centimeters, marked at the end of the twill tape, is a handy reference for spacing the weft pattern floats in these plattväv towels.I love seeing the “MID” point on a long piece, such as this 8-shafttwill alpaca scarf.Breaking up the length into quarters helps to set a pace for the weaving project. This baby wrap was on a time crunch, so it was helpful to know when I was getting close to the end.
A new life in the family is cause for celebration and thanksgiving! I had the privilege of weaving a baby wrap while my daughter carried the new little life inside of her. A wrap being woven to hold Lucia, and a baby being woven in the womb. Beautiful and more beautiful. God’s blessings on Eddie and Melody as they love the gift they have been given.
Handwoven baby wrap with baby Lucia. Photo credit: Eddie Fernandez (Lucia’s daddy)
In her mother’s arms… Photo Credit: Eddie Fernandez (Lucia’s daddy)
What do you weave into the fabric that will be cradling your future granddaughter? Love, and lots of it, of course. The baby wrap has been woven, and is cut from the loom! All that is left is the finishing work–examining for errors, washing and drying, and hemming. …And Melody learning how to wrap a baby wrap. Soon enough, baby Lucia will be wrapped in this love-made piece of cloth.
