Quiet Friday: Handwoven Handbags

Is there such a thing as too many handbags, pocketbooks, tote bags, and purses? Of course not. Naturally, my favorite handbags are made from handwoven fabric. Linings made from remnants, handwoven bands used for shoulder straps, hidden zippers, and, of course pockets–these are the details that other people will seldom notice. Yet these are the details that make me smile every time I use one of these bags.

Handwoven handbags - with 1 minute video.
Nineteen handwoven handbags. Various sizes, fibers, styles, and purposes. And colors. Lots of colors!

…You know that box of handwoven bits and pieces? Those weavings from the end of the warp, and the “scraps” from various projects? Hmm… looks like I might need to make another handbag or two.

Here is my collection of handwoven handbags, divided into a few categories. Plus, a short video just for the fun of it!

Rigid Heddle Loom

Handbags from fabric woven on a rigid heddle loom.
Wool, novelty chenille yarn, crochet cotton, and narrow fabric strips are used for weft in these bags. Buttons are from my grandma’s button jar. The small rag-weave pocketbook has a permanent home in my daily handbag. The fabric for these bags was woven on my Beka 32″ rigid heddle loom.
Handwoven fabric for handbags from the rigid heddle loom.
Linings are from remnants of other sewing projects. Bag handles were woven on my inkle loom.

Travel Finds

Handwoven handbags from international travels.
Trips to The Philippines yielded interesting woven goods by artisans there. The green stripe tote bag is woven from native plant material, and the teal and burgundy purse is a beautiful example of ikat weaving. The colorful weft-faced woven shoulder bag and the purple bag with lovely weft-float patterning came from travel to Chile.

Project Carriers

Handwoven project bags.
Large tote bag, woven with 1/4″ fabric strips for weft, carries my “show and tell” when I go to my weaving study group. It’s known as the “Mary Poppins Bag.” Rag-rug bag in the center has straps, woven on the band loom, that were woven into the bag. This bag carries my portable tapestry weaving. The rag rug bag on the right carries my one-and-only crochet project.

Special Use

Handwoven handbags.
Linen bag has beads woven into the fabric. It is lined with satin. Rag-weave purse is simply a flat piece folded in half, with lining and pockets added to the inside. The blue bag is wool, woven in a weft-cord technique. The fabric was partially fulled to produce the ribbed texture.
Handwoven lining in a handwoven purse.
Lining for this bag is made from extra fabric after weaving cotton/linen fabric for cushions, and the pocket is a remnant from a two-block twill tencel scarf.

Daily Use Favorites

Favorite handwoven handbags! Karen Isenhower
Representing some of my “firsts.” The brown and blue small shoulder bag is from one of my first cottolin towel projects. This is what I did when the last piece was too short to use for a towel. The green and turquoise clutch has remnants of my first ever handwoven towel, my first rosepath rag rug, and my first big rep weave project! The blue shoulder bag is the bag I use every day. It’s a remnant from the baby wrap I wove for my daughter’s first baby. It’s lined with a remnant from an Easter dress I made for her when she was a little girl.

May you carry your handiwork with you.

Happy weaving,
Karen

What a Cellist Weaves

I approach weaving like a musician. The looms are instruments, and everything is practice. When I was twelve years old I fell in love with the ‘cello and began learning to play the instrument. Over time, I discovered the value of mindful practice, the need for which is ongoing. It’s not perfection I’m after, but intent to apply all I’ve learned.

Glimakra band loom.
Finished woven band. 12/6 cotton for warp and 16/1 linen for weft.
Band loom woven cord for cello endpin stop.
Small slider is added to make the cord’s length adjustable.

This once, my weaving and ‘cello playing overlap. My husband designed this cello endpin stop for me! I got to weave a cord on my band loom that connects the pieces together. (I showed you the beginning steps in Finer Weft for a Stronger Cord.)

Hand-crafted cello endpin stop, with handwoven band.
Hand-crafted ‘cello endpin stop.
Hand-crafted cello endpin stop.
‘Cello and me.

What if our interactions with people are opportunities to practice real love? It’s no big deal if I love those who love me. Or, do good when I know someone will return the favor. Or, lend to someone who will pay me back. Real love is loving those who don’t love you back. That takes practice. When we love, do good, and give, expecting nothing in return, we start to resemble God’s character. No, we won’t attain His perfection, but when we apply all He’s taught us, we begin to look like His children. For He loved us long before we loved Him back.

May you practice real love.

Love,
Karen

Finer Weft for a Stronger Cord

I need a strong cord for a specific use. It needs to look nice, without drawing attention to itself. This cord will connect three small pieces of wood. I will reveal how they will be used after I finish weaving the cord.

Three wooden pieces for a special purpose...
Three wooden pieces to be connected for a purpose. What are they for? You are welcome to put your guess in the comments…
Warping the Glimakra band loom.
Warping the band loom.

I chose 12/6 rug warp for the project, to make this a durable cord. With a band this narrow, the 12/6 cotton is too bulky for weft. I could not pull the selvedges tight. I need a finer weft that will draw the warp ends together and disappear at the selvedges. Black 16/1 linen works beautifully!

New woven narrow band. Need to change the weft.
Using 12/6 cotton rug warp for the weft proved to be unworkable for this narrow band. Light shows through the gaps at the selvedges.
Linen weft for this narrow band.
Black linen weft matches the black selvedge threads. The 16/1 linen enables tight and even selvedges for this 5/16″ (8 mm) band.

A change of heart changes everything. The condition of our heart is revealed in the way we behave toward others. Our thoughts and actions are a matter of the heart. To live in a manner that is unselfish, generous, kind, and content, we must do more than line up the right outward appearances. We must start with humility. Having the perfect warp means nothing if the weft interferes with a beautiful outcome. Humility, like the linen weft, is a posture of the heart that pulls everything else together.

May your heart be beautiful.

Warmly,
Karen

Making Hanging Tabs for Towels

It’s this kind of detail that takes a handcrafted item up a notch. A hanging tab made from a handwoven band is more than an accent for a handwoven hand towel. The small hanging tab, mostly unnoticed, adds a statement: This towel has a purpose. It is meant to be placed where it will be used.

How to Make Hanging Tabs for Towels from a Handwoven Band:

  • Mark cutting lines on the woven band. My lines are 4 1/4″ apart.
  • Zigzag forward and back on both sides of the marked lines, leaving room for cutting apart.

Zigzag between hanging tabs.

Making hanging tabs for towels.

  • Cut the band apart at the marked lines, between the zigzag rows.

Hanging tabs, cut apart for towels.

  • Decide where and how to place the hanging tab.

Trying different versions of hanging tabs.

One style of hanging tab for handwoven towel.

Handwoven band for hanging tab on towels.

Loop for hanging tab on towel. Handwoven band.

  • Position the tab, and push the zigzagged ends to the fold inside the pressed and folded towel hem. Pin or clip in place.

Adding handwoven band to hand towel.

  • Stitch the towel hem, securely catching the ends of the hanging tab.

Adding hanging tab to handwoven towel.

Finished handwoven linen-cotton towel with hanging tab.

  • Use the towel. Enjoy!

Handwoven towels being used!

Your prayers matter. Pray a blessing on your children and grandchildren. Your prayers add a detail to their lives that sets them apart. The blessing we ask is that they know the Lord. That they will call on the Lord. That they will say they belong to the Lord. Ultimately, our prayer is for the Lord to place them where they live out the purpose for which he has designed them.

May your prayers reach the heart of God.

With purpose,
Karen

Quiet Friday: Plattväv Towels and Thanksgiving Prayer

Start to finish, the plattväv towels have been a handweaver’s joy. Narrow stripes on the warp beam are strangely invigorating. Does it take extra effort to wind a warp with many stripes? Yes–cut off one color and tie on a new color, over and over. But when the loom is dressed and ready to go, the weaving is a breeze. Being cottolin, the warp is fully compliant; and with a little care, the linen weft becomes a weaver’s friend. Plattväv, the icing on the cake, gives me a simple pattern weft that dresses up these plain weave towels. (And, yes, I am in the process of developing a kit for these plattväv towels.)

Planning handwoven towels.

Cottolin warp with counting cord.

Striped warp for plattväv towels.

Threading the loom for plattväv towels.

Tying up treadles the easy way.

Weft auditions for plattväv towels.

Plattväv towels on the loom, with linen weft.

Plattväv towels on the loom. Karen Isenhower

Blue linen pattern weft.

Beautiful blue linen pattern weft.

Plattväv towels coming off the loom!

Off the loom and ready for trimming threads.

Band loom weaving.

Plattväv towels ready to roll!

Plattväv towels. Karen Isenhower

The joy of weaving is a blessing, as is the joy of friendships across the miles. Thank you for walking this journey with me.

Thanksgiving prayer: Thank you, Lord, for everything.

May you overflow with blessings and reasons for giving thanks.

Thankful for you,
Karen