Snowflakes Made of Thread

This is the fourth and final towel in my Snowflake series. Right now in Texas hill country it is extremely hot and dry, so these few gentle snowflakes are a welcome sight, even if only made of thread. We look forward to cooler days and moisture from the heavens.

Concluding the lower border of the towel. Warp is 16/2 cotton. Weft is half-bleached 16/1 line linen, except for the wide blue border, which is 16/2 line linen, and narrow 16/1 linen red stripe.

This Myrehed combination drawloom attachment functions as a thread lifter. When I pull a draw handle for a pattern shaft, a series of thread units are raised. When I pull a draw cord for a single unit, one unit of threads is raised. I am using 45 pattern shafts for the repeated snowflake border designs on these towels. The center area of each towel has small and large snowflake designs at varying intervals. These irregular designs are created using 148 single units. It’s because of all those lifted warp ends that we can create woven snowflakes.

Temple in position. Three pulled draw handles lift thread units at the side borders. Several pulled single-unit draw cords (black cords and white cords) lift single units for an off-center large snowflake design.
Lifted warp ends.

We expect to have worries in this life. Daily needs come as repeated patterns. Other disturbances come at irregular intervals. Worry is eliminated in God’s kingdom. God’s kingdom has a worry lifter–Jesus. He invites us to give him our worries and trust him to care for us. Imagine the one-of-a-kind design that emerges when worries are lifted!

May your worries fade away.

In living hope,
Karen,

Spreading Two Warps at Once

I am spreading this warp (two warps, actually) at the worktable. One warp is 22/2 cottolin, with a narrow selvedge border of 16/2 cotton. The other warp is 20/2 cotton. This intriguing double-width project is in the Nr.3 – 2021 issue of Väv MagazineWinnie’s Linen-Cotton Crinkly Tablecloth, by Winnie Poulsen, p.52. Despite some intrepidation, I am jumping in!

Spreading 2 warps for a double-width project.
First warp has been pre-sleyed, and the loops are held in place on the cloth beam tie-on bar. Now spreading the second warp, and placing both warps’ loops on the long stick in front.

Coordinating two warps onto a single tie-on bar is tricky business. The last time I did the two-warp maneuver at the loom I nearly lost a lease cross and my sanity. The advantage of pre-sleying these warps at the table is that everything is secure. Nothing is teetering. At the worktable I can clearly see what to do for each step. Within minutes, I’m hopeful that this adventure will indeed be worth it. (Pre-sleying a warp on the table is expertly explained in Learning to Warp Your Loom, by Joanne Hall, pgs.19-20.)

Two warps for one double-width project.
Second stick holds both warps’ loops.
Spreading two warps in the reed.
Tie-on bar slides in and warps’ loops are secured by tying a string from one end to the other.
Getting ready to weave some differential shrinkage!
Extra stick is removed. Two warps, each with its own set of lease sticks, have been spread in the reed. No mishaps along the way!
Glimakra Julia ready for a new fun warp!
Warp bouts are in the basket. The two sets of lease sticks, the reed, and the cloth beam tie-on bar sit on top. We’re ready to beam this warp on the Julia!

Spreading a warp (or two) is a lot like spreading hope. We come to the Lord Jesus weary, having tried hard to make things work on our own. He welcomes us with open arms and reveals the time-tested way of trusting him, one step at a time. Now, like threads being sleyed across the dents of a reed, threads of hope spread throughout our being. The threads are secured. Come weary; receive rest; spread hope.

May you be ignited with hope.

Your friend,
Karen

In My Drawloom World

I’m in my own little world when I’m at the drawloom. No podcasts, no music going, no interruptions. It’s all deliberate focused attention on this thing I’m doing—following the chart row by row, drawing handles and cords, imprinting trees into cloth. It’s a delightful experience that I don’t want to end.

Myrehed combination drawloom. Weaving trees.
Single unit draw cords pull up single units of threads. For the setup on this project one unit is 6 ends.
Weaving trees on the drawloom.
Trees inside and outside.

The simple tree design is scattered across the fabric using the single unit draw system. At the start of this towel, the same tree design was woven on the side borders using the pattern shafts. With this combination drawloom I combine single units and pattern shafts to work in complex harmony, as an expression of my creativity.

Myrehed Combination Drawloom on a Glimakra CM loom.
Trees on the side borders, as seen on the cloth below the breast beam, were woven using pattern shafts. Each pattern shaft holds units of ends in a certain order, which enables me to duplicate patterns across the warp or on the sides, as with these trees.
Weaving hand towels on the drawloom.
Near the finishing line for this towel.
Myrehed Combination Drawloom - follow the chart.
Clear ruler moves up the chart, line by line, showing me exactly which black or white single unit cords to draw. The checked borders are produced with the pattern shaft draw handles.

The Lord is ready to give us his focused attention. Our complexity is no threat to him. When we allow him to direct our hearts, pulling cords at the right place to imprint his will in us, he faithfully completes the work, to the very last detail. The Lord embraces those who fully trust him. His unseen designs become visible in the lives of those who belong to him. We can just imagine the delight this brings to our Maker.

May you find yourself in a big hug.

Happy Weaving,
Karen

Picture Perfect Handwoven Skirt

The skirt in my mind is picture perfect in style and fit. If I could snap my fingers and make the skirt appear, I would. Instead, I find my way to a workable sewing pattern by trial and error—agonizing over every small step. The sewing part doesn’t scare me. But I’m in over my head in the garment design arena.

Using Garment Designer to design a layered tiered skirt.
Quarter-scale pattern pieces give me a way to test and try various ways to put the skirt together. I learn a lot of things that don’t work. There is much sewing, ripping, tweaking, calculating and recalculating, etc. And pulling my hair out, figuratively speaking.
Designing a handwoven skirt using Garment Designer software.
Settling on something that works. One more little mockup should answer most remaining questions. I use Garment Designer (patterning and design software) to create the patterns. I can print quarter-scale and full-scale sewing patterns.

A not-as-simple layered tiered skirt replaces my original idea of a simple three-tiered skirt. The new design has a fitted yoke at the top of the skirt (and a zipper) instead of a super-simple elastic gathered waist. All this, so the distinctive borders of each tier will flutter freely, and not be trapped in seams. The trouble is worth it. I can see the finished skirt in my mind’s eye. It is phenomenal! The fabric is handwoven, made for a purpose. This is a skirt worth waiting for.

Testing ideas for a handwoven skirt.
Testing ideas full scale. After several tries, I finally have a good fit on the skirt yoke, which is encouraging.
Handwoven skirt in the making!
Full-size mockup (not shown) satisfies my fit and style requirements. Floral cotton lining fabric will be concealed under the handwoven tiers. Full-scale sewing pattern is printed and ready…

You were skillfully made for a purpose. Through many trials and errors, lessons in success and failure, we discover why we are here. God created you for this very time. Trust him to guide you, especially through agonizing moments. By his grace, he forms us into the phenomenal masterpiece that he has always had in mind.

May you walk with purpose.

Love,
Karen

Wild Dish Cloths

I like having a project on one of my looms that is within reach of any friend who drops by. This new warp on the Julia fits the bill. Since I am using up several nearly empty tubes of linen, I am giving this warp an irregular color sequence. That should be interesting in this very structured 8-shaft broken twill.

Glimakra warping reel, linen warp.
Emptying a few tubes of 16/2 linen.
Glimakra warping reel, linen warp.
Irregular warp stripes are formed on the warping reel.
Finished off some linen! New linen warp.
Odds and ends of linen get used for cloth that will be used.

I am making dish cloths here. Linen dish cloths. Why not wash dishes with something interesting? I am eager to see what develops as I add weft colors. Anyone else who sits at this loom can choose their own mix of colors. I hope we get some wild combinations that bring a smile to the one whose hands are washing dishes.

Ready to weave some linen dish cloths.
Warp chains for some wild dish cloths.

God’s wisdom is a far reach for our human understanding. The complexity of his creation shows us how much we still don’t understand. How could we ever reach that far? Our best efforts are like irregularities in a well-structured cosmos. Good news! God put himself within our reach. He did it at his own expense—the cross of Christ. When we trust in Christ our wild threads are expertly woven into cloth that he can use. Some of our wild combinations probably make him smile.

May you grow in wisdom.

With wild threads,
Karen