band loom – Page 4 – Warped for Good

Band Loom Time!

September 7, 2018September 6, 2018 Karen

Before I can hem these new towels, I need to make some hanging tabs. Band loom time! Making a warp for the band loom is one way to use up some of the weft on quills that didn’t quite get emptied when weaving the towels. Of the four colors in the towels, I am using aqua, poppy, and orchid for the hanging tabs. The bright marigold, my favorite of the four colors, may bring too much attention to itself, so I’m leaving it out. A hanging tab must be a stable and firm loop that becomes a pleasing part of the towel.

Planning to weave hanging tabs for handwoven towels. Karen Isenhower — Towels, before wet finishing, are spread out with the thread colors on top. I am trying to determine which colors will work together in woven hanging tabs for all four towels.

Glimakra band loom. Hanging tabs for handwoven towels. — Eleven ends are just enough for weaving a narrow band. (The two ends in the center are doubled in the heddle and counted as one.)

Glimakra band loom, making hanging tabs for handwoven towels. — Simple symmetrical design with aqua, poppy, and orchid colors. To use as hanging tabs for towels, the band is cut into short pieces, about ten centimeters (four inches) each. Each cut tab is then sewn into the hem of a towel.

Established. Stable (root word of e-stabl-ish) and firm. That’s how important our faith is as we walk through life. Everything hangs from it. So it must be woven carefully and stitched in securely, a pleasing part of who we are. Stable and firm in faith as we live for the Lord—that’s a beautiful way to live.

May your finishing details be pleasing.

With you,
Karen

Quiet Friday: Linen Satin Dräll

January 26, 2018January 25, 2018 Karen

This is one of those weaving projects that puts you on top of the world. Everything about it. Linen, ten shafts, five-shaft satin weave, ten treadles, gorgeous Moberg damask shuttle, single-shuttle rhythm, full-body weaving, magical fabric. I did have more than my share of knots in the warp, and a few skipped threads and selvedge loops. But you will see no evidence of those glitches now. All you will see is the natural beauty of linen, with its characteristic unevenness. And the reflective satin dräll weave, with its light-catching trickery.

The warp is Bockens unbleached 16/2 line linen. Two of the towels use 16/1 golden bleached linen for the weft. At my husband’s request, the remaining three towels have 16/2 linen weft, in ecru. The thicker weft helps make these into robust absorbent handtowels. A table square finishes off the set.

Enjoy the process with me as I reminisce over the start-to-finish pleasure of weaving these towels.

May you find pleasure in what you do.

Happy Weaving,
Karen

Quiet Friday: Handwoven Handbags

June 23, 2017June 22, 2017 Karen

Is there such a thing as too many handbags, pocketbooks, tote bags, and purses? Of course not. Naturally, my favorite handbags are made from handwoven fabric. Linings made from remnants, handwoven bands used for shoulder straps, hidden zippers, and, of course pockets–these are the details that other people will seldom notice. Yet these are the details that make me smile every time I use one of these bags.

Handwoven handbags - with 1 minute video. — Nineteen handwoven handbags. Various sizes, fibers, styles, and purposes. And colors. Lots of colors!

…You know that box of handwoven bits and pieces? Those weavings from the end of the warp, and the “scraps” from various projects? Hmm… looks like I might need to make another handbag or two.

Here is my collection of handwoven handbags, divided into a few categories. Plus, a short video just for the fun of it!

Rigid Heddle Loom

Travel Finds

Handwoven handbags from international travels. — Trips to The Philippines yielded interesting woven goods by artisans there. The green stripe tote bag is woven from native plant material, and the teal and burgundy purse is a beautiful example of ikat weaving. The colorful weft-faced woven shoulder bag and the purple bag with lovely weft-float patterning came from travel to Chile.

Project Carriers

Handwoven project bags. — Large tote bag, woven with 1/4″ fabric strips for weft, carries my “show and tell” when I go to my weaving study group. It’s known as the “Mary Poppins Bag.” Rag-rug bag in the center has straps, woven on the band loom, that were woven into the bag. This bag carries my portable tapestry weaving. The rag rug bag on the right carries my one-and-only crochet project.

Special Use

Handwoven handbags. — Linen bag has beads woven into the fabric. It is lined with satin. Rag-weave purse is simply a flat piece folded in half, with lining and pockets added to the inside. The blue bag is wool, woven in a weft-cord technique. The fabric was partially fulled to produce the ribbed texture.

Handwoven lining in a handwoven purse. — Lining for this bag is made from extra fabric after weaving cotton/linen fabric for cushions, and the pocket is a remnant from a two-block twill tencel scarf.

Daily Use Favorites

Favorite handwoven handbags! Karen Isenhower — Representing some of my “firsts.” The brown and blue small shoulder bag is from one of my first cottolin towel projects. This is what I did when the last piece was too short to use for a towel. The green and turquoise clutch has remnants of my first ever handwoven towel, my first rosepath rag rug, and my first big rep weave project! The blue shoulder bag is the bag I use every day. It’s a remnant from the baby wrap I wove for my daughter’s first baby. It’s lined with a remnant from an Easter dress I made for her when she was a little girl.

May you carry your handiwork with you.

Happy weaving,
Karen

What a Cellist Weaves

May 23, 2017May 22, 2017 Karen

I approach weaving like a musician. The looms are instruments, and everything is practice. When I was twelve years old I fell in love with the ‘cello and began learning to play the instrument. Over time, I discovered the value of mindful practice, the need for which is ongoing. It’s not perfection I’m after, but intent to apply all I’ve learned.

Glimakra band loom. — Finished woven band. 12/6 cotton for warp and 16/1 linen for weft.

Band loom woven cord for cello endpin stop. — Small slider is added to make the cord’s length adjustable.

This once, my weaving and ‘cello playing overlap. My husband designed this cello endpin stop for me! I got to weave a cord on my band loom that connects the pieces together. (I showed you the beginning steps in Finer Weft for a Stronger Cord.)

Hand-crafted cello endpin stop, with handwoven band. — Hand-crafted ‘cello endpin stop.

Hand-crafted cello endpin stop. — ‘Cello and me.

What if our interactions with people are opportunities to practice real love? It’s no big deal if I love those who love me. Or, do good when I know someone will return the favor. Or, lend to someone who will pay me back. Real love is loving those who don’t love you back. That takes practice. When we love, do good, and give, expecting nothing in return, we start to resemble God’s character. No, we won’t attain His perfection, but when we apply all He’s taught us, we begin to look like His children. For He loved us long before we loved Him back.

May you practice real love.

Love,
Karen

Finer Weft for a Stronger Cord

May 16, 2017May 15, 2017 Karen

I need a strong cord for a specific use. It needs to look nice, without drawing attention to itself. This cord will connect three small pieces of wood. I will reveal how they will be used after I finish weaving the cord.

Three wooden pieces for a special purpose... — Three wooden pieces to be connected for a purpose. What are they for? You are welcome to put your guess in the comments…

Warping the Glimakra band loom. — Warping the band loom.

I chose 12/6 rug warp for the project, to make this a durable cord. With a band this narrow, the 12/6 cotton is too bulky for weft. I could not pull the selvedges tight. I need a finer weft that will draw the warp ends together and disappear at the selvedges. Black 16/1 linen works beautifully!

New woven narrow band. Need to change the weft. — Using 12/6 cotton rug warp for the weft proved to be unworkable for this narrow band. Light shows through the gaps at the selvedges.

Linen weft for this narrow band. — Black linen weft matches the black selvedge threads. The 16/1 linen enables tight and even selvedges for this 5/16″ (8 mm) band.

A change of heart changes everything. The condition of our heart is revealed in the way we behave toward others. Our thoughts and actions are a matter of the heart. To live in a manner that is unselfish, generous, kind, and content, we must do more than line up the right outward appearances. We must start with humility. Having the perfect warp means nothing if the weft interferes with a beautiful outcome. Humility, like the linen weft, is a posture of the heart that pulls everything else together.

May your heart be beautiful.

Warmly,
Karen