Weaving Some Simple Borders

I need to free up this little loom in order to put on a different warp that has a deadline. So, now that I have returned from my travels, my attention is going to these towels. My friend is letting me weave this lovely cottolin warp that she got at Vavstuga.

Simple border stripe in first towel of the Vavstuga towel kit.
Simple border stripe in first towel. Straight twill.
Cottolin warp and 8/1 tow linen weft.
Cottolin warp and 8/1 tow linen weft.
Point twill on four shafts.
Point twill on four shafts. Three horizontal stripes made with half-bleached tow linen weft.

Straight twill, point twill, broken twill, and now “rick-rack.” And after that, a couple towels in plain weave. Everyone who weaves this Vavstuga towel kit and follows the instructions will end up with the same six towels. True? Not necessarily. I like to step off the expected path. That is why I vary the weft and include some type of simple border design on each towel.

Loom with a view. Texas Hill Country.
Three colors of 8/1 tow linen sit on the little blue table as choices for weft. Half-bleached, Unbleached, and Bronze.
Broken twill for a cottolin towel.
Changed the tie-up to broken twill, which allows me to keep a simple straight treadling pattern. Dashed weft pattern for the border stripe is produced by alternating the bronze linen weft with the half-bleached linen weft.
Color-blocked towel uses three neutral weft colors.
Long wavy vertical lines give the appearance of rick-rack. Again, I changed the tie-up to keep the simple straight treadling pattern. I use all three weft colors in this color-blocked towel.
Cottolin towels with 8/1 tow linen weft.
Plain weave, with four shafts and two treadles. The main body of the towel uses the unbleached linen weft. Two picks of half-bleached linen are sandwiched between several rows of bronze linen weft.

There is a wide path that is crowded with many people. It’s the common and expected way of life. It’s where you stay if you want to fit in with everyone else. But if you search for it, you’ll find an uncommon path. It’s narrow; and few find it. It’s the path of life that is found in Jesus Christ. Stand in the narrow path. That is where your unique features will show up as border designs that set you apart as a cherished child of God.

May you be set apart.

Happy weaving,
Karen

All the Looms

The plan to keep every loom dressed is easy when there is only one loom. Now that I have four floor looms, it’s a tough plan to follow. The drawloomcheck. The Glimåkra Standard, dressed in Tuna wool—check. The two smaller looms are threaded, and just need tying on and tying up. So, I’m well on my way! The end of the first warp on the drawloom is in view, however. That means the drawloom will soon be back in the queue. And so it goes.

Winding a warp for rosepath rag rugs. 12/6 cotton. Spring colors.
Winding a warp for rosepath rag rugs. 12/6 cotton. Spring colors.
Warp for cottolin towels.
Warp for cottolin towels is threaded on the little hand-built loom.
Opphämta on the drawloom.
Opphämta on the drawloom. Pattern weft is 6/1 Fårö wool. The right side of the fabric is seen underneath, as it comes around the breast beam.
Threading heddles on the Glimåkra Ideal.
Threading heddles on the Glimåkra Ideal.
Blue and Almond Tuna wool warp.
Blue and Almond Tuna wool warp is tied on in 1″ sections.

I like to stay a step ahead of my looms. I’m ready to wind a new warp as soon as I finish cutting off. It’s the cycle of weaving. But I have trouble staying ahead.

Tying up treadles on the Glimakra countermarch.
Twelve shafts. Twelve upper lamms. Twelve lower lamms. Twelve treadles. This is an amazing system.
Warp is tied on. Ready for rag rugs!
Warp is tied on. Ready to add the leveling string.
Loom is dressed for small wool double weave blanket.
Loom is dressed. Treadle cords are adjusted. Ready for weaving!
End of warp on the drawloom.
End of warp comes near the pattern heddles. This is my first drawloom warp, so I’m waiting to see how far I can weave until I lose a good shed. So far, so good.
My first drawloom warp.
Closing chapter of my first drawloom warp. I’ll keep “turning pages” until the shed disappears.

We have good plans for our lives. But often, it’s tough to follow those plans. Too many things happen at once, and we don’t know how to stay ahead of it all. The thing to remember is that our plans stem from our inner commitments. When we commit our ways to the Lord, trusting him, he leads us through our days. Trust turns plans into achievements. And those are the plans worth pursuing.

May your best plans succeed.

Happy Weaving,
Karen

Beaming Double Weave

This is double weave on twelve shafts. One layer is the gorgeous lapis lazuli blue. The other layer is neutral almond for contrast. I am spreading and beaming this 6/2 Tuna wool warp with two sets of lease sticks—one set for each layer/color.

Big fat warp chains. Tuna wool for double weave.
Big fat warp chains. Double weave on twelve shafts, with 6/2 Tuna wool for warp and weft.

When you have two sets of lease sticks, though, it is a serious challenge to get the two colors to alternate correctly as you move the end loops to a separate stick. The ends on the stick are then transferred to the back tie-on bar. I did breathe a sigh of relief when everything was finally lined up and in order.

Double weave. Ready to beam the wool warp.
Two sets of lease sticks carries the challenge of having clear visibility of the lease cross in both warp layers. After one or two do-overs, all the yarn is successfully moved to the back tie-on bar. Moving from right to left, I separate and straighten each warp end on the tie-on bar. Only a few more left to straighten.
Ready to beam this wool double weave warp.
Back tie-on bar all in order. Now ready to move the pre-sley reed to the beater and begin beaming the warp.

And I’m reminded again how beautiful a beamed warp is. It’s worth the challenges.

Tuna wool warp on Glimakra Standard.
Warp beam and back beam show the beamed warp.
Wool warp separated into threading groups.
Separated into threading groups for the next phase of dressing the loom.

That beautifully ordered wool on the back tie-on bar, now hidden from view, is an essential element for quality handwoven cloth. Kindness is that way. It’s a core trait deep in one’s character that is revealed in interactions with others. Kindness makes you beautiful. It’s not something you try to be. It’s something we wear. It’s our inner being dressed in the character of Christ.

May you be dressed in kindness.

Affectionately yours,
Karen

Hemstitching Thread

Hemstitching gives a secure and pretty edge for the fringe on this cotton throw. At the beginning of the throw, I measure out a length of the weft thread for the stitching. And now, at the end, I roll off enough thread from the shuttle’s quill to use for the final hemstitching.

Finishing the cotton throw.
Wanting to finish, I weave the final few centimeters of the throw after dark.

Mark on tape shows I've woven to the end.
Mark on the measure tape shows I have woven to the end of the throw.

I’m always afraid of cutting the length of thread too short. So, I measure off four times the width of the warp, with a pinch extra just in case. That’s too long, and I know it. But I do it anyway. And then, I have a very long thread to pull through every stitch, with the tangles and knots that go with it.

Hemstitching is underway.
Hemstitching is underway.
Hemstitching a cotton throw.
Hemstitching thread is longer than needed. Three times the width of the warp should be plenty.

In trying to be perfect, I miss perfection by a long shot. If I measure out more than enough of my own goodness, surely I’ll have plenty to enter heaven, right? But the perfection of heaven requires perfection. It’s impossible for me to be good enough, smart enough, or successful enough to reach perfection. Heaven is for the imperfect. We, the imperfect, enter heaven’s perfection by trusting in the only perfect one, Jesus Christ. His goodness, measured out for us, is precisely enough.

May you know when enough is enough.

Happy weaving,
Karen

Process Review: Twelve Placemats

Twelve placemats just came off the loom! Now, for the finishing work. Measuring, examining, repairing, washing and drying, and hemming. Soon they will be ready to dress the table for a home-cooked meal. Mmmm… The focus is on food and fellowship. The placemats are there to catch the drips and crumbs. And then, washed and made ready for the next meal.

8/2 cotton for placemats.

Striped warp is beamed.

Tied on and ready to weave.

Color and Weave placemats.

Color and weave produces different patterns.

Weaving in the afternoon shadows.

Weaving placemats in a sunny corner.

Variety of stripes with color and weave placemats.

Sisters in the color family!

Color gradation and color and weave.

Interesting shadows at the loom.

Christmas. While our focus is on food and fellowship, a beautiful mystery plays out right in front of us. A baby named Jesus entered the world. Christmas celebrates this. Jesus came to take away our offenses, catching our drips and crumbs. The mystery of God is glorious. This is the mystery: Jesus takes our stains, and we who trust in him come out washed and made ready for glory. This is good news, for which a weary world rejoices!

Weaving at night by the fire, Christmas lights reflected.

Plain weave placemats in color and weave.

The End!

Cutting off! Twelve 8/2 cotton placemats.

May your table be dressed for good times.

Have a glorious Christmas,
Karen