Time to Weave

I would like to finish this skirt project in time to wear the skirt this summer. Huckaback (huck lace) is easy to weave, but it takes time. All I need is time.

Weaving fabric for a tiered skirt.
Huckaback with five shafts and five treadles on the Glimåkra Ideal.

Linen weft threads pack in tighter and make better selvedges when they are dampened. I need a tight weave to square the pattern that is coming on the next two skirt tiers. And the edge of the skirt flounce is a selvedge that will be fully exposed, so tidy selvedges are a must. It takes a little bit of time to hold a damp cloth against the thread as I wind a quill, or to wrap a damp cloth around a quill that’s already wound. It’s worth it. In the scheme of things, that little bit of time is nothing…and everything.

Weaving fabric for a tiered skirt.
By dampening the 16/1 linen weft I am able to get a tight weave without having to beat as hard.
Linen weft in schoolbus yellow!
The edge with the poppy-thread border will be the lower edge of each tier on the three-tiered skirt. I’m paying special attention to the selvedge, and dampening the linen weft really helps!

We all have a little bit of time. Look at your hand. A lifespan is no longer than the width of your hand. A lifetime is one moment to God. Our life begins and ends in one breath of God. This little bit of time we have is nothing…and everything. This is how God loved us in our little bit of time: he gave his one and only Son, so that everyone who believes in him would not perish but have timeless life with him.

May you have a little bit of time.

With you,
Karen

Palms Up

I distinctly remember the thrill of weaving my first two-block twill on eight shafts. It was a linen table square woven on a Glimåkra Standard loom in Joanne Hall’s delightful Montana studio. That classy linen table square came home with me, …and my first floor loom came soon after–a Glimåkra Standard of my own!

Two-block twill linen table square.
Linen table square, woven at Joanne Hall’s studio.

I can still hear Joanne’s gentle instruction about holding the shuttle. “Palms up.” This way is easy on the hands and wrists. I’ve had considerable practice since those lessons in Montana. Now, I send the shuttle across the warp and catch it securely with ease. That same two-block twill “Linne” pattern is on my Julia loom now, bringing back those fond memories. It comes as no surprise that watching threads on eight shafts become woven cloth is just as thrilling now as it was that very first time.

Linen table runner on 8 shafts.
Linne Table Runner on the Julia in golden bleached, olive green, and midnight blue 16/2 line linen.

Deliberate hands send the shuttle through the shed, and receive it as it comes through to the other side. God’s hand is faithful. Trust-worthy. Think of his hand as open, palm up. Carrying, sustaining, and holding us securely. Trust puts us into the Lord’s faithful hand.

May you remember what you’ve been taught.

Happy Weaving, Karen

Tried and True: Linen

Take a short stroll through our home and you will see and touch linen in all its superb versatility. Linen warp and weft speaks of elegance. Yet, this natural fiber is right at home with ordinary daily living. Linen, oh, how it sings!

I am thrilled to be dressing the Julia now with 16/2 linen on eight shafts. We will have another linen highlight to grace our home—a table runner for our dining room table.

Bockens 16/2 line linen for a handwoven runner.
It is a happy day when new tubes of Bockens 16/2 line linen arrive at the door.
Making a linen warp.
Winding two threads together at a time on the warping reel.
8-shaft Julia and linen warp.
Dividing the warp into three bouts makes it easier to spread and beam the warp with even tension across the warp.
Glimakra Julia 8-shafts. Glorious linen!
Golden bleached linen is a gorgeous backdrop for the olive center section and contrasting midnight blue borders.

Is there anything more vibrant than the sheen of linen saturated with color? And, have you noticed that plain unbleached linen is anything but plain? Linen fills both ends of the spectrum—glowing exuberant color and natural wrinkled humility. Linen, oh, how it sings! There’s always room for more music in the home.

May your home be filled with everyday elegance.

Happy Weaving,
Karen

Drawloom Stars and Snowflakes

I am ending this warp with spectacular stars. Or are they snowflakes? I got a new book of patterns just in time. My friend Cathleen shared her innovative source with me—Selbu Mittens: Discover the Rich History of a Norwegian Knitting Tradition, by Anne Bårdsgård. This book is filled with beautiful charts, perfect for translating into drawloom designs. It has page after page of classic eight-pointed stars, which look like snowflakes to me.

Eight-pointed stars on the drawloom.
Drawloom weaving.
Drawloom weaving.
Pattern shaft drawloom. 35 pattern shafts.

The star patterns all have an odd number of squares across the chart. My drawloom is currently set up with an even number of pattern shafts. To compensate, I am offsetting the star and adding a vertical dotted line. For the second row of stars I am flipping the offset and switching to a lighter shade of blue weft. I am also pulling the pattern shaft cords for the background around the star pattern. This reverses the pattern and ground, giving a different perspective of the same design, making the star blue and the background white.

In the drawloom studio.
Are they stars or snowflakes.
Stars / Snowflakes on the pattern shaft drawloom.
(Photos by Eddie Fernandez)

Even when our perspective changes, the foundation stays the same. Truth endures. God speaks truth, even through his created designs. Stars in the heavens and snowflakes on the earth attest to the enduring truth of their Designer’s glory.

May the end of your warp be spectacular.

Happy Weaving,
Karen

Slow Me Down with Inlay

I intended to weave this part quickly, and move on. But when I noticed I could see the end of the warp I changed my mind. I’m going to do something that will slow me down—inlay. It’s something I’ve been thinking about doing. Now’s my chance before I run out of warp.

Weaving on the combination drawloom.
One handle is drawn for the simple side borders design. The beginning blue border motifs were also woven using draw handles, connected to pattern shafts.

I am adding blue 16/1 linen inlay to the center motif. The same color blue is laid in at the center motif on the side borders, as well.

Blue linen inlay on the combination drawloom.
Blue linen inlay leaves floats between the raised pattern threads.

Draw the pull-handles for the borders – draw single unit cords – throw the shuttle – lay in the blue thread – throw the shuttle and lay in the blue thread two more times. Move up one row on the chart, and follow the same sequence as before. Ever so carefully, learning as I go. Delightfully slow as molasses. Intently paying attention, and thinking about what I would do differently next time.

Drawloom. Weaving a sign for house guests.
Draw cord pegs just above the beater create interesting shadows.

Changing your mind changes your direction. When the Lord sees our thoughts turning in his direction, he reveals more and more of himself to us. Like small lines of color added a row at a time, the image becomes more and more distinct. With the warp we have remaining, there is still time to see the Grand Weaver’s image woven in us.

May you know when to change your mind.

Making room for Jesus,
Karen