I am ending this warp with spectacular stars. Or are they snowflakes? I got a new book of patterns just in time. My friend Cathleen shared her innovative source with me—Selbu Mittens: Discover the Rich History of a Norwegian Knitting Tradition, by Anne Bårdsgård. This book is filled with beautiful charts, perfect for translating into drawloom designs. It has page after page of classic eight-pointed stars, which look like snowflakes to me.
The star patterns all have an odd number of squares across the chart. My drawloom is currently set up with an even number of pattern shafts. To compensate, I am offsetting the star and adding a vertical dotted line. For the second row of stars I am flipping the offset and switching to a lighter shade of blue weft. I am also pulling the pattern shaft cords for the background around the star pattern. This reverses the pattern and ground, giving a different perspective of the same design, making the star blue and the background white.
(Photos by Eddie Fernandez)
Even when our perspective changes, the foundation stays the same. Truth endures. God speaks truth, even through his created designs. Stars in the heavens and snowflakes on the earth attest to the enduring truth of their Designer’s glory.
The sky is the limit! That is my conclusion after weaving a few designs using the Myrehed combination drawloom. The shaft draw and the single unit draw systems are combined on this ingenious apparatus that is attached to an otherwise ordinary loom. The shaft draw system enables me to weave repeated patterns. The single unit system enables non-repeat patterns. This narrow warp is my playground to do both.
Pattern shafts (the wood bars) and single units (with black and white draw cords) are combined for this warp. 36 pattern shafts, including the X shaft. 132 single units.Central design area uses a repeat of 30 pattern shafts threaded in a straight draw. Side borders use a repeat of 5 pattern shafts. Lift heddles and lanyard clips on the single unit draw cords attach the draw cords to the all the individual units (single units) on the pattern shafts.
I use the computer to create designs. ”Home in Texas” shows the back of our house, with its massive stone chimney. The tree in the scene is a tracing of the oak tree that I pass as I walk up the hill to my drawloom studio. The airplane is a copy of the Mooney that our pilot friend took us in to fly over Enchanted Rock. I am delighted to discover that I can use a drawloom to bring features of personal meaning such as these to life.
Photo of our back deck. Using Affinity Photo, I set up a grid on the page to represent 30 pattern shafts. I then import my photo onto the gridded page.Simple outline is created and saved as a separate image. The filled-in outline becomes my drawloom pattern.Oak tree that I pass on the hill up to my drawloom studio. After importing the photo, I adjust the opacity to fade the picture, which makes tracing easier.I use a pen tool in Affinity Photo set at 3 pt to do the tracing. Now I can fill in the outline and copy and paste the image onto my chart that I will print and then use at the loom.Houses are woven with 30 pattern shafts. The hearts in the corners and the added details above the houses use the single unit draw cords. The tree is beginning to appear between the two houses on the left.Two draw handles are pulled for the pattern on the side borders. Single unit draw cords are pulled and held in place on the hook bar above the beater.Our Texas Home
The words of the Creator have life in them. It’s as if he puts his thoughts on the loom and weaves them into being. Let there be light! He speaks; and it is so. Listen closely. Hear the Grand Weaver say, Peace to you. And it is woven so. You are his workmanship, bringing his design to life.
More ideas are forming, even as this fabric begins to hug the cloth beam.
This is one of those weaving projects that puts you on top of the world. Everything about it. Linen, ten shafts, five-shaft satin weave, ten treadles, gorgeous Moberg damask shuttle, single-shuttle rhythm, full-body weaving, magical fabric. I did have more than my share of knots in the warp, and a few skipped threads and selvedge loops. But you will see no evidence of those glitches now. All you will see is the natural beauty of linen, with its characteristic unevenness. And the reflective satin dräll weave, with its light-catching trickery.
The warp is Bockens unbleached 16/2 line linen. Two of the towels use 16/1 golden bleached linen for the weft. At my husband’s request, the remaining three towels have 16/2 linen weft, in ecru. The thicker weft helps make these into robust absorbent handtowels. A table square finishes off the set.
Enjoy the process with me as I reminisce over the start-to-finish pleasure of weaving these towels.
A startling surprise greeted me when I sat down at the loom yesterday afternoon! The sun was shining through the window and sparkles of light were dancing on the loom. The surprise happened when some of the light made its way under the woven warp and shined up through the cloth, revealing a hidden pattern. Whoa! I discovered a secret passageway in an old majestic house…accidentally! That’s what it felt like.
Linen towel in five-shaftsatindräll. Sunlight dances on the woven and not-yet-woven warp.
Block pattern on the towel changes, and is emphasized with the change of weft.
Light comes up through the fabric on the left side of the loom, revealing a hidden structure in the cloth.
This is five-shaftsatin, notgoose-eye twill. How fascinating to get a glimpse of the inner structure of the cloth. I didn’t expect it, but it does make sense that the treadling pattern is woven into the fabric. But you won’t see it unless light shines through just so.
The Lord knows us intimately. He knows what we do and why we do it. Where we go and what our plans and intentions are. He not only knows what we say, he knows the thoughts behind our words. God is not surprised. He knows it all. His light reveals our inner structure. May it be pleasing to Him.
When my long-held dream of weaving on a floor loom became a possibility, I started my journey with questions. What are the pros and cons of the different types of looms? After considerable research, a winner emerged—the Swedish countermarch loom!
Pros and Con of Countermarch Looms (My experience is with Glimåkra. Other countermarch looms may differ.)
Pros
Weave anything. Rag rugs to lace-weight fabric.
Hanging beater. Swinging beater has momentum that enables a firm beat. No strain to shoulders, arms, or wrists. Asset for weaving rag rugs, and superb control for cloth with an open weave. Beater placement is adjustable, making it possible to weave longer before advancing the warp.
Rear-hinged treadles. Pressing treadles is effortless, no matter how many shafts. No strain on back, legs, knees, or ankles, even with robust weaving. Because treadles are close to each other, I press correct treadles with sock- or bare-footed ease…without having to watch my feet. Ample foot rest makes it easy to trade feet when using many treadles.
Clean shed. Stepping on a treadle raises and lowers shafts at the same time, so a great shed is not only possible, but usual.
Glimåkra Ideal with horizontal countermarch. The cords from the countermarch jacks at the top of the loom go straight down through the warp to the lower lamms. The lower lamms connected to treadles cause shafts to lift when a treadle is depressed.
Even warp tension. Because shafts are both raised and lowered, tension is equal on raised and lowered warp ends. Even warp tension is good for all types of weaving. This even tension makes a tight warp possible. Perfect for linen, and for rugs.
Gimåkra Standard loom with vertical countermarch. Cords from the countermarch jacks go over the side of the loom to the lower lamms below. The upper lamms (not pictured) attached to treadles cause shafts to sink when a treadle is depressed.
Threading and sleying ease. Loom bench sits “inside” the Glimåkra Standard loom, comfortably close to heddles and lease sticks for threading and for sleying the reed.
Bench sits in the loom for threadingheddles. I call this my little playhouse.
Texsolv heddles. Heddles can be easily added or removed from shafts (shafts are also easily added or removed). Quiet. Easy to thread.
Perfect fit. A petite person like me can weave on a large loom (my Standard is 47”/120cm) as comfortably as someone with longer arms and legs. Able to sit in upright posture for weaving.
Wooden. The loom is primarily wood. Bonus if you appreciate natural beauty of wood. Held together with wooden wedges and a few bolts. No screws or wing nuts.
Scandinavian clarity. Because of the Swedish loom, I adopt Swedish weaving practices and have an interest in traditional Scandinavian textiles. The loom fits the style. Streamlined design, precision, systematic and logical processes, and beauty with function.
Con
Treadle tie-ups. Shafts are connected to upper lamms and lower lamms. Treadle cords with a bead at one end are hung in the lamms. Lamms are then attached to treadles. Treadle tie-ups normally fall under the Pros category, because this is what enables the loom to have the clean shed it’s known for. But since I just finished tying up ten shafts to ten treadles (that’s 100 treadle cords), this is my least favorite part right now. 😉 (The weaving pleasure more than makes up for it, though.)
One hundred treadle cords hang from upper and lower lamms. The only thing left is to attach all the cords to treadles. 😉
Treadle cords are attached. Little anchor pins lock each cord into position under the treadle. After a few adjustments, the shed on each treadle is good. The loom is dressed! Five-shaft satindräll coming up!
Conclusion:
When I weave on my Glimåkra Standard countermarch loom, I am soaring like an eagle. I’m sailing with the spinnaker up. I am a pipe organ maestro. I am dreaming while fully awake. This is everything I imagined weaving could be, only better.
Testing weft options. Gorgeous handcrafted damask shuttle, Chechen wood, made by Moberg Tools. Five-shaft satin dräll–a weaver’s dream.
For more in-depth information about countermarch looms, comparisons of looms, and other fantastic resources, see articles written by Joanne Hall, found at Glimåkra USA.
