Karen – Page 44 – Warped for Good

Tried and True: Designing with Fibonacci

June 11, 2019June 10, 2019 Karen

Before starting, I sketched out several versions of the finished blanket, showing different sizes and arrangements of the rectangle blocks. My favorite version is one with a random look. This twelve-shaft double weave has three blocks. Block 1 is a solid color across the warp. Block 2 has a narrow, vertical contrasting rectangle. Block 3 has a wide, horizontal contrasting rectangle. The warp threading determines the width of the rectangles. But the height of the rectangles is determined by the treadling pattern. I decided to use a Fibonacci sequence of numbers in random order to guide my treadling options as I weave.

Double weave blanket. — Rectangles vary in size.

Low-Tech Random Fibonacci Sequence

1 Determine the desired range of the Fibonacci sequence. 1, 2, 3, 5, 8, 13

2 Determine the number of repeat options for each block (one repeat is 4 picks per double-weave layer).

Block 1, solid color – 2 repeats every time
Block 2, narrow rectangle – 2, 3, 5, 8, or 13 repeats
Block 3, wide rectangle – 1, 2, 3, or 5 repeats

3 Write each number of the sequence on individual squares of paper. Make three sets of these numbers. 1, 2, 3, 5, 8, 13

4 Fold each paper square in half and place in a container at the loom. Mix thoroughly.

Designing with random Fibonacci numbers. Low tech! — Fibonacci numbers are ready for eyes-closed random selection.

5 Randomly select a paper square to reveal the number of repeats for the next narrow or wide rectangle block.

Fibonacci numbers as design tool. — Assignment for the next rectangle block – three repeats. The lines indicate that this number can be used for Block 2 (narrow, vertical) or Block 3 (wide, horizontal).

For this blanket I have a woven hem and border, and then two repeats of Block 1 (solid color) between alternating Block 2 (narrow) and Block 3 (wide) rectangles of varying heights.

Double weave wool blanket. — Back side has reverse colors.

Double weave Tuna wool blanket. — Block 1 (solid blue across) stays a consistent size between the white rectangles.

Surprise is built in which makes it hard to leave the loom. “Just one more block,” I tell myself…

Double weave blanket. Fibonacci for design. — View of the cloth beam reveals the variety of sizes of rectangles. Eager to see it off the loom!

May you be greeted by random (happy) surprises.

Happy Weaving,
Karen

Pictorial Tapestry Weaving

June 4, 2019June 3, 2019 Karen

Inspired by some of Joanne Hall’s exquisite large tapestries, I have been taking steps to learn her techniques. This fascinating style that is unique to Joanne enables her to weave large tapestries at a comfortable pace. My Lizard tapestry last year was a step in this direction. (See Quiet Friday: Lizard Tapestry.) One thing that the lizard taught me is how much more I need to learn. So, you can imagine my delight in having the opportunity to take a Pictorial Tapestry Weaving workshop taught by Joanne Hall last week! (Contemporary Handweavers of Texas Conference in Fort Worth was the setting.)

Texas Wildflowers, tapestry by Joanne Hall. Photo credit: Steve Isenhower 2013

Detail of Texas Wildflowers, tapestry by Joanne Hall. — Detail of Texas Wildflowers. Threaded in rosepath, with a linen warp. Woven with butterfly bundles of wool yarn. Photo credit: Steve Isenhower 2013

Things to remember: Don’t beat hard. Bubble the weft more. Color theory is invaluable for adding depth and intensity. Simplify the cartoon. And countless more bits of insight and instruction! I am invigorated in my pursuit to develop these tapestry skills. Expect to see a tapestry on my 120cm Glimåkra Standard in coming days.

Workshop looms. — My hand-built countermarch loom is perfect for a tapestry workshop. Betsy brought her Glimåkra Julia loom.

Tapestry sampler in Joanne Hall's workshop. — Workshop sampler gives students various tapestry techniques to practice. We learned techniques of other tapestry weavers, such as Hans Krondahl and Helena Hernmarck, as well as Joanne’s unique approach.

Tapestry workshop with Joanne Hall. — Fellow student Cindy created this pear, taking advantage of the rosepath threading to add pattern to the image.

Joanne Hall's tapestry workshop. — Joanne, center, explains the process of creating a cartoon. She spreads out photos of flowers as a starting point for students’ cartoons.

Joanne Hall's tapestry sample. — Joanne’s tapestry sample demonstrates the outcome of her process. A portion of the photo was enlarged from which she drew the cartoon.

Tapestry workshop. — Fellow student Deborah creates a flower from her original cartoon.

Making a tapestry cartoon. — I am choosing to make my cartoon from an enlarged portion of a lily photo.

Weaving from a cartoon in tapestry workshop. — Color studies and technique exercises all come together in the last part of the tapestry sampler. Weaving from a cartoon.

Tapestry progress. — Time to take the loom apart and head home. Checking my progress with the photo before packing up.

Lily sample from tapestry workshop with Joanne Hall. — Lily sample is finished at home.

I find myself pondering how experiences fall into place in our lives. There are times when the stepping stones seem to be set out before us, showing the way, when we don’t know exactly where we are going. The Lord knows where I am going. He knows me. And he kindly sets out the next steps. Perhaps he smiles as he sees our delight when we figure out that we are the bundles of yarn in his tapestry.

May your joy in learning never cease.

Happy Weaving,
Karen

Process Review: Casita Tapestry

May 28, 2019May 27, 2019 Karen

This little Casita travel trailer is a good symbol of the retirement phase for Steve and me. I started the tapestry a few months before our move to Texas hill country, in anticipation of our new adventures. And then, the day after Steve retired we went to Rice, Texas and drove away with our new Casita La Perlita (Little Pearl), as if to say, “Let the adventure begin!”

Just off the loom - "La Perlita" Casita tapestry. — Just off the loom, La Perlita Casita. 37 cm x 26 cm (14 1/2″ x 10 1/4″)

Enjoy the Casita tapestry review.

May your adventures come at just the right time.

Happy journeying,
Karen

Cutting Off a Failure

May 21, 2019May 20, 2019 Karen

I made an embarrassing blunder. No wonder this Tuna wool resists all my efforts. It’s the wrong yarn! Tuna is 6/2 wool—twice as thick as the 6/1 wool I should be using. Cowboy Magic won’t solve this sticky problem. (I thought it would, as I expressed in this post: Tame the Wool.)

The yarn is gorgeous, but my frustration level is pushing me to throw in the towel. I tried hard to make this work. I was so convinced I had the right yarn that I missed it even when reader Joan left a gentle comment asking if 6/1 Fårö yarn would work (I’m sorry for not listening, Joan). There is nothing left but to cut off this failure.

Cutting off out of frustration. — Every shed is a struggle. It seems impossible to get a clean shed with this “sticky” yarn. (It’s not the yarn’s fault, though.)

Cutting off a failure. Ouch! — Failed piece is cut off. There are unwanted floats everywhere, and the fabric is like cardboard because of the tight sett.

Cutting off a failed double weave project. Ugh. — Bottom of the double weave has even more unwanted floats than the top layer.

In this lowest moment a thought occurs to me. Re-sley the reed. An ounce of hope rises.

Re-sleying to a coarser sett. Hoping for success. — Reed is changed from 50/10 metric to 40/10 metric. This spreads the warp an additional 19.9 cm (7 3/4″).

Wool for a double weave blanket. Second try. — Sleying is complete and the new reed is placed in the beater.

Wool warp for a double weave blanket. — Warp is tied on and leveling string is tightened. On your mark, get ready, get set…

I re-sley to a coarser reed and tie back on. I hold my breath and step on the treadles. It works. And it’s gorgeous!

Double weave wool blanket on 12 shafts. Glimakra Standard. — Go! Night and day difference in being able to clear each shed.

Double weave at its finest. Wool blanket. — Double weave at its finest.

Weaving into the sunset! — Weaving into the sunset.

Double weave Tuna wool blanket on Glimakra Standard. Success! — Clean lines of double weave, with a (very) few unwanted floats that will be easy to fix later.

Double weave wool blanket. Success after starting over! — This is now a pleasure to weave!

Have you experienced great disappointment and loss of hope? Sometimes our own failure brings us to that point. The Lord makes things new. We come to Jesus with our failed attempts, and he exchanges our used rags of effort with his clean cloth of righteousness. In his forgiveness, the failure is cut off and removed. Our threads are re-sleyed and re-tied to make us gloriously new.

May you know when to cut off and start over.

Love,
Karen

Tried and True: Another Use for Thrums

May 14, 2019May 13, 2019 Karen

Handwoven towels need handwoven hanging tabs. I finished the Vavstuga cottolin towel warp, so now it’s time to put my band loom to use. Why not use the warp thrums to make the woven band? The length of the thrums is too short for the band loom, so I am knotting two ends together for each strand.

Thrums are used to make a warp for the Glimåkra band loom. — Thrums ends are tied together to make a warp long enough for the Glimåkra band loom.

Glimakra band loom. — Cottolin band warp is from the towel warp. Unbleached cottolin is used for the weft.

Everything is starting out just fine, but my inexperience with the “weaver’s knot” proves problematic. One by one, the knots are working themselves loose. I re-tie each failed knot into a confident square knot. Finally, after three weaver’s knot failures, I decided to advance the warp far enough to get past the knots altogether. Smooth sailing after that, and I still ended up with plenty of woven band for the six woven towels.

Woven band for hanging tabs on handwoven towels. — Weaving about 30 cm before the knots, and about 40 cm after the knots. Each hanging tab is about 10 cm, so I have plenty of woven band for the six towels.

Using thrums to make coordinating tabs for handwoven towels. — Unwashed towel fabric. Using warp thread from the towels is a great way to make coordinating hanging tabs, as well as a satisfying use for some of the thrums.

I like finding another good use for the thrums. So, I will do this again. But next time, I’ll do a refresher on knot tying before I begin.

May your knots hold tight.

All the best,
Karen