Tag: twill

Tried and True: Weft Color Changes and Video

Karen

I have an efficient way to handle weft color changes. It’s very simple. This is for those instances when I need to end one weft thread and start a new one. As a rule, I take care of weft tails as I go. I don’t want to come back to them later if I don’t have to. If I tuck in each weft tail at the beginning of the row, thickness from the extra wefts builds up at the selvedge, especially if I’m weaving horizontal stripes. The method I describe reduces the extra wefts, and eliminates having to tuck any tails in.

Weaving tutorial about weft color changes.
Color changes add to the movement and excitement of the design.
How to change weft colors - simple!
Vertical and horizontal narrow stripes in six-shaft broken twill.

How to Start a New Weft Color

  1. Weave the last pick of one color.
  2. Change to the shed needed for the next color. Take the shuttle with the first color into the shed for about about 3 cm (1 1/8”), and bring the shuttle up and out through the top of the warp.
  3. Lightly beat (tap) in the 3 cm (1 1/8”) of thread. Carefully snip off the thread close to the warp.
  4. Weave a pick of the next color, with the end of the new thread overlapping the 3 cm (1 1/8”) of the previous color thread. Position the new thread such that the end is outside the selvedge just a hair.
  5. Beat in the new weft and continue weaving until the next color change.
Tutorial about efficient way to change weft colors.
Ending the third of four bath towels.
Stripes in towels. How to!
Hand towels waiting to be paired up with the bath towels…hopefully, before Christmas!

Watch this short video to see me demonstrate this method of changing the weft colors.

May your choice of weft colors give a glimpse of your best qualities.

Simply Weaving,
Karen

Process Review: Weaving Rhythm

Karen

“With so many looms, how do you decide what to weave every day?,” I was asked. The answer lies in my Weaving Rhythm. I have five floor looms. I happily aspire to meet the challenge of keeping all of them active.

Glossary

Weaving Rhythm ~ A pattern created across time, through a regular succession of weaving-related tasks.

Arrange individual tasks to keep each loom consistently moving forward in the weaving continuum.

Weaving Continuum ~ The cycle for each loom that is continually repeated.

When the first few centimeters are woven on a new project, begin planning the next project. When finishing is completed for the current project, wind a new warp and dress the loom for the next project.

First Things First ~ Prioritize daily tasks to maintain the Weaving Rhythm.

  1. Finishing
  2. Dressing
  3. Weaving

Do some finishing work first. Do some loom-dressing tasks next. The reward, then, is sitting at one of the dressed looms and freely weaving for the pleasure of it.

Weaving bath towels on the Glimakra Standard.
Glimåkra Standard, 120cm (47″), vertical countermarch. My first floor loom. Weaving the third of four bath towels, 6-shaft broken and reverse twill, 22/2 cottolin warp and weft.
Weaving hanging tabs for bath towels.
Glimåkra two-treadle band loom. Weaving hanging tabs for bath towels. 22/2 cottolin warp and weft.
Glimakra 100cm Ideal. Sweet little loom.
Glimåkra Ideal, 100cm (39″), horizontal countermarch. My second floor loom. Dressing the loom in 24/2 cotton, five-shaft huckaback, for fabric to make a tiered skirt. Ready to start sleying the reed.
Hand-built Swedish loom.
Loom that Steve built, 70cm (27″), horizontal countermarch. My third floor loom. Weaving the header for a pictorial tapestry sample, four-shaft rosepath, 16/2 linen warp, Tuna/Fårö wool and 6/1 tow linen weft.
Sweet little Glimakra Julia 8-shaft loom.
Glimåkra Julia, 70cm (27″), horizontal countermarch. This is my fifth (and final?) floor loom. Weaving the first of two scarves, eight-shaft deflected double weave, 8/1 Mora wool warp and weft.
Weaving lettering on the drawloom.
Glimåkra Standard, 120cm (47″), horizontal countermarch, with Myrehed combination drawloom attachment. This is my fourth floor loom. Weaving some lettering for the seventh pattern on this sample warp, six-shaft irregular satin, 16/2 cotton warp, 16/1 linen weft. 35 pattern shafts, 132 single unit draw cords.

Give Thanks ~ Live with a thankful heart.

Every day I thank the Lord for granting me the joy of being in this handweaving journey. And I thank him for bringing friends like you along with me.

May you always give thanks.

With a grateful heart,
Karen

Warp Sequence Planning

Karen

When I wrap potential warp sequences on folded index cards it brings design thoughts out into the open. It makes the ideas tangible, helping me plan a pleasing warp. For this 8/2 cotton warp I am choosing colors from the plentiful selection I already have on my shelves.

Planning warp stripes with 8/2 cotton.
8/2 cotton left from previous projects fills the shelves. Each warp wrapping sparks ideas for more possible warps.

This warp will be woven as eight-shaft–twill yardage, about 15 1/2 inches wide. The fabric will be cut and hemmed to make colorful arm and headrest covers for my mother-in-law’s comfy off-white recliner. I will increase the width of the stripes proportionately to fill the warp width. My mother-in-law will have the final say, but if you could help her decide, which set of warp stripes would you choose? Please let us know in the comments.

Planning warp stripes.
Planning warp stripes.
Planning warp stripes with 8/2 cotton.

What if our attitudes were made tangible? What would our thoughts look like if they were out in the open, wrapped like colored threads around our actions? With the love of Christ in us, forgiveness is the recurring thread. Forgiveness is for the undeserving. That is who we forgive. Because that is who we are when we are forgiven by God.

May the thread of forgiveness be woven in your life’s fabric.

With you,
Karen

Tried and True: How Far Will Your Quill Go?

Karen

Do not overfill your quills. It may seem efficient to load the quill as much as possible so you can weave as far as possible. Like me, you may have to learn this the hard way. A too-chubby quill that has to be coaxed through the shed takes more time and effort than winding a few extra quills. So much for efficiency.

Cottolin bath towels on the Glimåkra Standard.
Cottolin bath towels on the Glimåkra Standard, in twill, broken twill, and reverse twill.

It helps to have an idea of how far the thread on a quill will go. With this information, you can wind a few in advance without ending up with an excess of wound quills at the end of your project. I like to have the next quill ready to go when I am weaving so that I can put the new quill in my shuttle and keep weaving with very little interruption. This is especially helpful when the treadling sequence is tricky, like with the reverse twill in every other large color block on these cottolin bath towels. 3-2-1-6-5-4

How to Estimate Weaving Distance for Filled Quills

1 Start a new quill, leaving a 4 – 5 cm tail on the surface of the cloth. Or, start a new quill at the beginning of a color change.

How to measure how far a quill will weave.
End of one thread. Ready for a new quill.
How to know how far a quill will weave. Tutorial.
With the threads overlapping in the shed, the tail of the thread on the new quill lies on the surface.

2 Weave until the quill has emptied. Leave a 4-5 cm tail on the surface of the cloth.

How to know how far a full quill will weave.
Quill has emptied. Tail is brought out to the surface of the cloth.

3 Replace the empty quill in the shuttle with a new quill and continue weaving 1 – 2 cm further.

4 Measure the distance from the first weft tail, or line of color change, to the second weft tail. Place a straight pin, in line with the first weft tail, directly under the second weft tail. Measure from the pin to the second weft tail. This is the approximate weaving distance you can expect to cover with a new quill. Notate the quill’s estimated weaving distance on your project notes for future reference.

Tutorial on how to know how many quills you need to wind.
Measure the woven distance.

5 Trim the weft tails close to the surface.

6 Increase accuracy by repeating the process three times, and then use the average as your quill’s estimated weaving distance.

The large color blocks on this bath towel are 14 cm long. A single full quill will weave 5 1/2 – 6 cm; therefore, I make sure I have 2 full quills, plus at least another half-filled quill before I start a new color block section. It’s nice to be able to leave my foot on the treadle while I change out quills, so I don’t lose my place.

Cottolin bath towels.

May your efforts prove to be efficient.

Happy Weaving,
Karen

Handwoven Detail Notes

Karen

It is the smallest of details that set handwoven towels apart from ordinary towels. With that in mind, I am writing some detail notes in the margin of my project notes. Borders: Towel 1 – sea blue, apple green – contrast thread – ultramarine; Towel 2 – ultramarine, sea blue – contrast thread – maize; Towel 3 – apple green, ultramarine – contrast thread – sea blue; Towel 4 – dusty, sea blue – contrast thread – apple green.

Cottolin bath towels coming up!
Beaming the cottolin warp for bath towels.
Warp is tied on and leveling string is attached.
Warp is tied on and leveling string is attached.
Preparing to weave 7-color bath towels.
Seven different colors of wound quills. All seven colors are in each towel, warp and weft. The weft sequence varies with each towel.
Boat shuttles vie for the starting line, like in a regatta.
One boat shuttle for each color. This reminds me of sailing with my dad and my sisters. Boat captains would vie for the regatta starting line, shouting, “Starboard!”

There are seven colors of cottolin in the warp, and the same seven colors in the weft, just like the accompanying hand towels I completed in April. (See Process Review: Jubilation Hand Towels.) Narrow warp-wise and weft-wise stripes of broken twill produce interesting patterns in the cloth. The deep borders I am planning on the bath towels give me a chance to add simple details that only a handweaver can do.

White ribbon shows where to place details on the handwoven bath towel.
After weaving a short section to test the threading, I start the first towel. A red line, as always, denotes the cutting/starting line. I placed marks on the white ribbon at the left that show me where to place details along the length of the towel.
Simple handwoven details make all the difference.
Single ultramarine thread is laid in with the sea blue to outline a change of treadling. A simple handwoven detail.

Have you ever identified a master craftsman by the specific details that show up in the hand-crafted article? In the same way, we can recognize our Maker’s hand through the magnificence of the details we see in each other. You are his masterpiece. Hand-written instructions guide the details. When we come to the Lord as our Maker and Redeemer, we find his hand-written details woven into our hearts, something only the Grand Weaver can do.

May you attend to the details.

Happy Weaving,
Karen