finishing – Page 5 – Warped for Good

Tried and True: One Small Skein

October 13, 2020October 12, 2020 Karen

I have a single skein of colorful cotton/bamboo sock yarn that a sweet friend gave to me. I’m not a knitter. What can I do with a mere 50 grams of silky-soft yarn? My 13.5” Glimåkra Emilia rigid-heddle loom is perfect for the task. When I’m at home I weave on floor looms. When I travel I like to take Emilia along.

"Make Do" warping while away from home. — This is called “Make Do” warping while away from home.

Glimakra 13.5" Emilia rigid heddle loom, ready to tie on and start weaving. — Emilia is beamed and the heddle is threaded. Ready to tie on and start weaving.

Weaving in the Casita Travel Trailer. — Now, a trip to visit some wonders of creation in Texas. Time to bring Emilia along. Weaving in “La Perlita,” our Casita Travel Trailer.

Weaving outside while camping. — Weaving outside the Casita in the shade of a tree is a relaxing way to spend the afternoon.

Weaving outdoors. — Two shades of bamboo thread are used for the weft–hot pink and coral–woven in alternating blocks of color.

Santa Elena Canyon in Big Bend National Park, with poppies in the foreground. — Santa Elena Canyon in Big Bend National Park. Poppies in the foreground provide color inspiration for more weaving projects.

Hemstitching at the end of a scarf on the rigid heddle loom. — Hemstitching at the end of the scarf, easiest to do while still on the loom.

One skein of this yarn yields just enough to make the warp for a short scarf with fringe. I am using Xie Bamboo thread for the weft, left from the huck lace shawl I wove for myself to wear to my daughter’s wedding six years ago (See Quiet Friday: Coral Shawl for a Memorable Occasion). This thinner weft gives me a loose weave, and the color blends in a way that allows the changing color of the warp to take center stage.

Trimming fringe on a handwoven scarf. — Back home again, doing the finishing. Fringe is trimmed to an even length.

Twisting fringe. (For more on twisting fringe, see Tools Day: Fringe Twister.)

Handwoven scarf before washing. — Before hand washing.

Rigid heddle scarf made with sock yarn. — Scarf has been air dried, and the fringe knots have been trimmed. This soft short scarf is just right to wear with a light jacket in the Texas autumn air.

Now that this scarf is finished, the only thing left to do is make sure I have a new warp ready for Emilia in time for our next travel adventure.

May you take your joys with you.

Happy travel weaving,
Karen

One More Swedish Art Weaves Bag

September 1, 2020August 31, 2020 Karen

A warp is finished when the woven cloth has been taken to completion. At that point, the loom is free for a new warp. That is the rule I’ve given myself. If I ignore the rule and put on a new warp before its time, the unfinished cloth has a way of staying unfinished for too long.

Joanne Hall's Swedish Art Weaves workshop in San Antonio, Texas. — Ready to pack up after the Swedish Art Weaves workshop and take my loom back home. The Joanne Hall workshop was sponsored by the enthusiastic San Antonio Handweavers Guild a few months ago.

Monksbelt woven with pick-up. — Monksbelt pattern continued at home.

Swedish art weaves - dukagång. — Woven from the back, this dukagång pattern came from a Swedish publication I borrowed from the San Antonio Handweavers Guild library.

Weaving krabbasnår and other Swedish art weaves. — Krabbasnår, just behind the fell line, is from a pattern in *Heirlooms of Skåne, Weaving Techniques*, by Gunvor Johansson.

Thanks to that completion rule, I have a new bag. This fabric includes the various patterns that I wove in Joanne Hall’s workshop on Swedish Art Weaves several months ago. You will also see that I explored some patterns on my own at home. I gained two excellent outcomes from this finishing pursuit—a new bag to use, and a loom that is free for the next warp! (See the first bag here: Monksbelt Flowers on a Shoulder Bag)

Making a bag from Swedish art weaves. — Side piece, krabbasnår, is hand-stitched in place. From the top of the bag to the bottom – krabbasnår (krabba), rölakan, halvkrabba, dukagång, munkabälte (monksbelt), each section separated by plain weave stripe variations.

Handwoven bag made from Swedish art weaves. — On this side of the finished bag, from top to bottom – halvkrabba, dukagång, munkabälte. I made the hard decision to take out a section of rölakan I had woven in order to be able to put the knots from the linen warp at the top of the bag.

Handwoven Swedish art weaves bag just finished. Now, on to the next warp! — Now, on to the next warp!

Left to myself, I’d rather do what I want. I’d rather start a new project than bring an “old” one to completion. I’m glad my Lord is faithful with me. He completes the work that he began. The Good Shepherd tends his sheep. He leads us to the still waters of peaceful perseverance, saving us from the regret of going our own way. And we have his perfect outcome to look forward to.

May you resist doing what you’d rather do.

With you,
Karen

Process Review: Jämtlandsdräll with Julia

May 26, 2020May 30, 2020 Karen

My intention is to weave fabric for a couple of cushy throw pillows. But after just one pattern repeat, I realize that this cloth on my brand new Glimåkra Julia is something I would like to wear! No pillows this time. Instead, here is my new autumn/winter shoulder wrap, embellished with frisky swinging fringes. Miss Julia has proven her worth on four-shaft Jämtlandsdräll (crackle) in 6/2 Tuna wool. Her next adventure will be something that explores all eight shafts. (See My New Glimåkra Julia Loom.)

Jämtlandsdräll Wool Wrap - woven on Glimåkra Julia. — Finished wrap. Ready for cool weather!

This project starts with the draft for the Jämtlandsdräll Blanket on p.59 of Simple Weaves, by Birgitta Bengtsson Björk and Tina Ignell. Tuna yarn samples, along with Fiberworks Silver for Mac, help me jazz up the color. I settle on three colors for the warp, with burnt orange as the anchor. Six different colors are used for the pattern weft, plus dark teal for the tabby.

Planning my next weaving project on Fiberworks. — Paint chips, Tuna yarn samples, and Fiberworks Silver for Mac aid my planning process.

Colors! Let's see how they work together on the loom. — Colors! Let’s see how they work together on the loom.

Beaming the warp on my new Julia. — Beaming the warp.

Weaving Jamtlandsdrall (Crackle) on my new Julia. — Daylight, plus colorful yarn. As summer is warming up outside, Julia is dressed warmly inside.

Color gradation in the pattern. — Some color gradation in the pattern.

My new Glimakra Julia! — Miss Julia, filling up her cloth beam.

Crackle (Jamtlandsdrall) in Tuna Wool. — Ending with a few picks of plain weave.

End of warp on my new Glimakra Julia. — Thrums at the end of the warp will serve as fringe.

Cutting off Jamtlandsdrall (crackle)! — Cutting off, giving a view of the back side of the cloth. Front and back have reverse images.

Twisting fringe on Jamtlandsdrall wrap. — Much to my pleasant surprise, after removing (unweaving) my short sample weaving at the beginning, and untying the front tie-on knots, I had the EXACT same length of fringe–*to the centimeter*–on both ends of the woven wrap.

Chunky, frolicky fringe. — Overhand knots secure the weft. Two groups of four warp strands each form each chunky fringe. Now, this wrap is ready for wet-finishing.

This is one of those times when the weaving is so satisfying that I truly don’t want the warp to come to an end. (…except that I’m excited to start on Julia’s second adventure!)

May your adventures never cease.

Happy Weaving,
Karen

Stony Creek Drawloom Rag Rug

April 21, 2020April 19, 2020 Karen

I have woven umpteen rag rugs. But never one like this! Eight-shaft satin on the single-unit drawloom brings its own challenges, from managing draw cords to getting a decent shed. Add rag weaving to the mix and we have a whole new experience!

Cutting off drawloom rag rug. — Cutting off in 1-inch sections to make it easy to tie back on for the second rug on the warp.

Finishing has its own set of new challenges. My go-to method of tying knots to secure warp ends is unwieldy in this instance because the threads are extremely dense. By quietly doing some detail studies on a sample, I find a way to finish this unusual rug: Secure the ends with the serger. Then, sew two rows of straight stitches on the sewing machine for added security. Sew a narrow bound hem using some of the fabric that was used as weft in the rug. Steam press to finish.

Drawloom rag rug finishing details. — Serger cuts off the ends as it overlocks the edge. I pull out the scrap header little by little just ahead of the serger needles and blade.

Finishing drawloom rag rug - steps. — Two rows of straight stitching.

Bound hem on a drawloom rag rug. — Lightweight woven fusible interfacing backs the fabric used for the narrow bound hem.

My Grandma's thimble. — My Grandma’s thimble helps me hand stitch the back side of the bound hems.

Drawloom rag rug finished! — Finished and pressed.

Stony Creek Rag Rug woven on single-unit drawloom! (Design by Kerstin Åsling-Sundberg) — Dream come true! Stony Creek Rag Rug (Design by Kerstin Åsling-Sundberg)

I have another rag rug to weave on this warp. It will still be a challenge. With what I’ve learned, though, I’m anticipating a satisfying weaving and finishing experience.

We know what to do in normal circumstances. It’s in unusual times that we fall into dismay. Private time with Jesus turns confidential fears to confident faith. He treats our challenges like personal detail studies, showing us the way forward. His grace enables us to conquer the next challenge with confident faith.

May your confidence grow.

With faith,
Karen

Handwoven Scarves Embellished with Flair

March 31, 2020March 30, 2020 Karen

You could say I finished these scarves too late. Winter in Texas has come and gone. But I prefer to think of it as considerably early. When cool weather comes back around in a few months, I’ll be ready. I began with the draft for the lovely Stardust scarf, designed by Mona Nielsen, published in Happy Weaving, from VävMagasinet, p.74. I simply substituted the yarn and colors in the book with what I had on hand.

New warp on warping reel for winter scarves. — Warp is mostly 6/2 Tuna wool, with some 7.5/2 Brage wool included.

Stripes on the back beam. What a lovely sight! — Made with yarn on hand. This means that additional stripes have been added to the plan.

Weaving by the fire in the middle of winter. Mora 20/2, a fine wool, is used for weft.

Two new wool scarves coming off the loom! — Two scarves coming off the loom.

Fringe twisting. — Fringes are cut and twisted.

The scarves are delightful, but the icing on the cake is the addition of fluffy, furry pompoms, an embellishment with youthful flair. And that is exactly what I will put on at the first sign of autumn chill.

Making pompoms to embellish the handwoven scarf. — Some of the thrums are used in making pompoms.

With the Pom and Tassel Maker by Red Heart I can make seven pompoms at a time. I wrapped the yarn around 100 times, making full and thick pompoms.

Each furry ball is shaped and trimmed. I used 8/2 cotton for the 12″ tie around the center of the pompoms.

Adding pompom embellishments to the scarf. — Each pompom is stitched to 3 – 4 twisted fringes. Seven pompoms at each end of the scarf.

Handwoven scarves with pompoms! — Now, the scarves are ready for wet finishing. Notice how you can see the separate strands of yarn in the pompoms before they are washed.

Handwoven scarves with pompoms, hanging to dry. — Scarves have been washed by hand in warm water in a large sink, with Eucalan delicate wash. I purposely gave them as much agitation as I could by hand. They are hanging to dry. Notice how the pompoms have slightly felted, making them even more soft and furry.

Winter scarf amid spring bluebonnets in Texas hill country.

Some things are certain. The sun will rise tomorrow. The seasons will follow their schedule. The faithfulness of the Lord our God will never end.

May you dress in youthful flair.

Warmly,
Karen